2002
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9 de may. de 2024 · John Szarkowski was an American photographer and curator who served as the visionary director of photography at the Museum of Modern Art (MoMA) in New York City from 1962 through 1991 and demonstrated that photography is an art form rather than just a means to document events. Szarkowski graduated.
29 de abr. de 2024 · Basé sur une exposition éponyme créée deux ans auparavant, l'ouvrage de Szarkowski énumère sous diverses rubriques ce qu'il considère comme les fondements de la pratique photographique. À travers une analyse des styles, des traditions et des possibilités créatives propres à la photographie, Szarkowski éclaire les aspects ...
29 de abr. de 2024 · John Szarkowski. John Szarkowski Hacia el bucle del norte .. John Szarkowski Fiesta de San Nickolas, S.. John Szarkowski Auditorio de Chicago, Mas.. John Szarkowski Prudential (Guaranty) Bui.. John Szarkowski Old Stock Exchange Buildi.. John Szarkowski Edificio Wainwright, St. .. John Szarkowski Guaranty (Prudential) Bui..
23 de abr. de 2024 · National Gallery of Art, Washington/Gift of the UBS Art Collection. In the 1990s, curator John Szarkowski was tapped by PaineWebber’s CEO Donald Marron to amass a collection of photography for...
Hace 1 día · John Szarkowski states in the introduction to Ansel Adams: Classic Images (1985, p. 5), "The love that Americans poured out for the work and person of Ansel Adams during his old age, and that they have continued to express with undiminished enthusiasm since his death, is an extraordinary phenomenon, perhaps even unparalleled in our country's response to a visual artist."
22 de abr. de 2024 · In the 1990s, John Szarkowski, photographer, curator, and former director of photography at the Museum of Modern Art in New York, assembled the photography collection for PaineWebber. When PaineWebber was acquired by UBS in 2000, the works subsequently became part of the UBS Art Collection, which is widely recognized as one of the ...
14 de may. de 2024 · Steichen's hand-picked successor, John Szarkowski (curator 1962–1991), guided the department with several notable exhibitions, including 1967s New Documents that presented photographs by Diane Arbus, Lee Friedlander, and Garry Winogrand and is said to have "represented a shift in emphasis" and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like ...
