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NYU Tisch School of the Arts. Known for. Performance art. Karen Finley (born 1956) is an American performance artist, musician, poet, and educator. [1] The case, National Endowment for the Arts v. Finley (1998), argued in front of the U.S. Supreme Court, was decided against Finley and the other artists. [2]
6 de dic. de 2023 · By Julia Halperin. Reporting from Miami Beach. Published Dec. 6, 2023 Updated Dec. 8, 2023. Very few visual artists have been the subject of a Supreme Court case. Karen Finley, 67, is one of...
- Julia Halperin
3 de nov. de 2019 · Karen Finley (born 1956) is an American performance artist, musician, poet, and educator. The case, National Endowment for the Arts v. Finley (1998), argued in front of the U.S. Supreme Court, was decided against Finley and the other artists. Her performance art, recordings, and books are used as forms of activism.
24 de ago. de 2015 · Performance view, Poetry Project at St. Mark’s Church, New York, 1985. Karen Finley. Photo: Dona Ann McAdams. Karen Finley is a performance artist based in New York who has long charted the political underpinnings and trauma of stigma and notoriety through her performances and writings.
28 de feb. de 2022 · Artist ∙ POET. By Chloe Gordon February 28, 2022 ∙ 41 min. read. Karen Finley reflects on her legendary performance pieces, censorship and decades of groundbreaking work—and the sheer joy in creating art. Debbie Millman: Most political art doesn’t change much. Occasionally though, art becomes the cutting edge of political activism.
25 de feb. de 2013 · March is Women’s History Month, the perfect time to highlight the work of Karen Finley, a world-renowned performance artist, author, and playwright whose work has addressed issues such as sexuality, abuse, and American politics from an uncompromising feminist perspective.
14 de feb. de 2024 · Performance artist, poet, educator, and musician Karen Finley talks about her long career of disrupting the delicate sensibilities of senators, provoking the patriarchy, and the ways her work is newly resonating in today’s regressive cultural climate