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Hace 3 días · Margraviate of Brandenburg-Schwedt: Sophia Dorothea of Prussia 10 November 1734 Potsdam five children: Left no male descendants. The title passed to his brother, Frederick Henry. George William: 26 November 1678: 1712–1726: 18 December 1726: Margraviate of Brandenburg-Bayreuth: Sophie of Saxe-Weissenfels 16 October 1699 Leipzig five children
1 de may. de 2024 · The House of Hohenzollern (/ ˌ h oʊ ə n ˈ z ɒ l ər n /, US also /-n ˈ z ɔː l-,-n t ˈ s ɔː l-/; German: Haus Hohenzollern, pronounced [ˌhaʊs hoːənˈtsɔlɐn] ⓘ; Romanian: Casa de Hohenzollern) is a formerly royal (and from 1871 to 1918, imperial) German dynasty whose members were variously princes, electors, kings and emperors of Hohenzollern, Brandenburg, Prussia, the German ...
- Before 1061
4 de may. de 2024 · C12 Bach’s Brandenburg – Part I. Compiled in 1721, and presented to the margrave of Brandenburg-Schwedt in Berlin, the six concertos written for a diverse, demanding and sometimes daring combination of instruments, represent some of the most jubilant, joyful music of the 18th century.
4 de may. de 2024 · Frederick II ( German: Friedrich II.; 24 January 1712 – 17 August 1786) was the monarch of Prussia from 1740 until 1786. He was the last Hohenzollern monarch titled King in Prussia, declaring himself King of Prussia after annexing Royal Prussia from the Polish–Lithuanian Commonwealth in 1772. His most significant accomplishments include his ...
19 de abr. de 2024 · 31 years old. –. 18 years old. Philipp Wilhelm von Brandenburg-Schwedt. Markgraf von Brandenburg-Schwedt. Prinz von Preußen. Born on 19 May 1669. Died on 19 December 1711. 42 years old.
- Male
- December 17, 1700
- Schloss Oranienbaum, Dessau
- March 4, 1771
17 de abr. de 2024 · History hints that Christian Ludwig, Margrave of Brandenburg-Schwedt, was not necessarily the most discerning of connoisseurs. In 1721 Johann Sebastian Bach...
Hace 6 días · Event description. Compiled in 1721, and presented to the margrave of Brandenburg-Schwedt in Berlin, the six concertos written for a diverse, demanding and sometimes daring combination of instruments, represent some of the most jubilant, joyful music of the 18th century.
