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Carrière. Margaret Sullavan est la fille de Cornelius Sullavan, un riche agent de change, et de Garland Brooke. Elle fut pensionnaire à l'institut Chatham Episcopal, où elle était présidente du corps étudiant. Elle déménagea pour Boston où elle vécut avec sa demi-sœur, Weedie, et où elle s'impliqua dans le club théâtral d' Harvard ...
Margaret Sullavan entstammte einer alten, reichen Familie aus Virginia. Sie besuchte beste Privatschulen und begann mit dem Theaterspielen an der Harvard-Universität. Später spielte sie mit einer Studententheatergruppe in Massachusetts, zu der auch James Stewart und Henry Fonda gehörten. Am Broadway debütierte sie 1931 und kehrte später ...
Born in 1909, Margaret Sullavan made her first appearance in Norfolk, Virginia. On the surface, her childhood seemed charmed: Her father was a wealthy stockbroker, and her parents expected great things of Margaret and her brothers. Yet despite this luxe living, one very critical thing was missing from the young Margaret's life.
14 de feb. de 2023 · Margaret Sullavan was an American actress who died from an accidental barbiturate overdose.. In 1929, Margaret Sullavan began her career onstage with the University Players and later became well-known as a film actress, receiving an Academy Award nomination for best actress for the motion picture Three Comrades in 1938.
Margaret Sullavan. Margaret Brooke Sullavan [1] ( Norfolk, 16 maggio 1909 [2] – New Haven, 1º gennaio 1960 [2]) è stata un' attrice statunitense .
Shop Around The Corner, The (1940) -- (Movie Clip) Poetry And Meanness Famous scene from director Ernst Lubitsch, Klara (Margaret Sullavan) waits in a Budapest cafe, a carnation in Tolstoy her signal, to meet her secret pen pal, and Alfred (James Stewart), her enemy at work, fired earlier that day, has found out it’s him, in The Shop Around The Corner, 1940.
1 de ene. de 2018 · In real life, Sullavan took pills and killed herself in 1960, at the age of 51. But she’s not a gloomy actress; her characters are not portentous. In fact, her foregone tragic fate seemed to exhilarate her. She taught an audience the many ways of dying, yes, but she also showed them how to live: fearlessly, poetically.
