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  1. Margarita was the seventh child of the marriage between Philip III and Margaret of Austria and the fourth of their daughters, after Ana, María and María Ana. [2] She was born in Lerma, capital of the states of the valido of her father, the Duke of Lerma, while was still in his privileged position. [3] On 10 June 1610, the feast of Corpus ...

  2. Margarita de Austria y Austria-Estiria (Lerma, May 25, 1610-Madrid, March 11, 1617) was a seventeenth-century Infanta of Spain. Biography She was the seventh of the sons and daughters of the marriage formed by King Felipe III of Spain and Queen Margarita of Austria-Styria and the fourth of their daughters, after Ana , María and María Ana .

  3. Coat of arms of Margaret of Austria, Queen of Spain. Margaret married Philip III of Spain, her first-cousin, once-removed, on 18 April 1599. She became a very influential figure at her husband's court. Philip had an "affectionate, close relationship" with Margaret, and paid her additional attention after they had a son in 1605.

  4. Alonso de Austria; C. Carlos de Austria (1607-1632) F. Felipe IV de España; Fernando de Austria (cardenal-infante) M. Margarita de Austria (1610-1617)

  5. 1 de ene. de 2016 · Margaret Theresa. , Infanta of Spain. Ca. 1665. Oil on canvas. Room 012. Margarita of Austria (1651-1673) was the daughter of Philip IV and Mariana of Austria. When Mazo painted her she was betrothed to the Emperor Leopold of Austria, whom she married in 1666. In this portrait Mazo`s treatment of the composition and colour reveal the influence ...

  6. She was taken with the usual pomp to the monastery of San Lorenzo de El Escorial. She is buried in the ninth chamber of the Panteón of Infantes, under the following epitaph: Non moriar sed vivam et narrabo opera Domini (Sal 117, 17) See also. In Spanish: Margarita de Austria (1610-1617) para niños

  7. Margarita Teresa, from the Spanish Habsburg line, was the first wife of her uncle, Leopold I. Their union had been planned since her childhood. In order to record the bride’s development, portraits of the infanta were sent to the Court at Vienna. The wedding festivities in 1666 included firework displays, operas and an equestrian ballet, and represented the zenith of Baroque