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Margrave Christian Ludwig of Brandenburg-Schwedt (14 May 1677 – 3 September 1734), a member of the House of Hohenzollern, was a Margrave of Brandenburg-Schwedt and a military officer of the Prussian Army. The margravial title was given to princes of the Prussian Royal House and did not express a territorial status.
The youngest of Dorothea's sons was Margrave Christian Ludwig (1677–1734), officer and administrator of Halberstadt, the honoree of Bach's Brandenburg Concertos. The brisk building activity was continued by Philipp William's son and successor, Margrave Frederick William (1700-1771).
Brandenburg Concertos, six concerti grossi by Johann Sebastian Bach, considered masterful examples of balance between assorted groups of soloists and a small orchestra. The collection was composed circa 1711–20 and dedicated in 1721 to Christian Ludwig, the margrave (marquess) of Brandenburg and.
- Betsy Schwarm
Explore genealogy for Christian Ludwig Brandenburg Schwedt born 1677 Schloss Berlin, Berlin, Brandenburg, Germany died 1734 Malchow, Muritz, Mecklenburg-Vorpommern, Germany including ancestors + 2 photos + more in the free family tree community.
- March 14, 1677
- September 3, 1734
Margrave Christian Ludwig of Brandenburg-Schwedt, a member of the House of Hohenzollern, was a Margrave of Brandenburg-Schwedt and a military officer of the Prussian Army. The margravial title was given to princes of the Prussian Royal House and did not express a territorial status.
2 de ago. de 2021 · Antonio Pesne: Margrave Christian Ludwig of Brandenburg-Schwedt (1710) Despite their spurning by the Margrave, the concertos are an important development in the German history of the concerto. They follow the lead of Vivaldi in that they aren’t a small group of instruments versus a larger group of instruments (as in a concerto grosso ) but ...
30 de sept. de 2013 · Learning to Listen: Brandenburg Concertos 1 to 3. Portrait of Christian Ludwig Markgraf von Brandenburg-Schwedt (1677-1734), recipient of Bach's Brandenburg Concertos. Artist: Antoine Pesne; public domain. Last week on Learning to Listen, we heard some of the specific characteristics of Baroque music, like the sound of a harpsichord, or certain ...
