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Hace 2 días · It was created in 1157 as the Margraviate of Brandenburg by Albert the Bear, Margrave of the Northern March. In 1356, by the terms of the Golden Bull of Charles IV , the Margrave of Brandenburg was given the permanent right to participate in the election of the Holy Roman Emperor with the title of Elector ( German : Kurfürst ).
9 de may. de 2024 · Frederick William was the elector of Brandenburg (1640–88), who restored the Hohenzollern dominions after the devastations of the Thirty Years’ War—centralizing the political administration, reorganizing the state finances, rebuilding towns and cities, developing a strong army, and acquiring clear.
14 de may. de 2024 · Frederick II ( German: Friedrich II.; 24 January 1712 – 17 August 1786) was the monarch of Prussia from 1740 until 1786. He was the last Hohenzollern monarch titled King in Prussia, declaring himself King of Prussia after annexing Royal Prussia from the Polish–Lithuanian Commonwealth in 1772. His most significant accomplishments include his ...
4 de may. de 2024 · The six captivating Brandenburg Concertos BWV 1046-1051 by Johann Sebastian Bach (1685-1750) were presented to Christian Ludwig, Margrave of Brandenburg-Schwedt and brother of King Frederick William I of Prussia, in March 1721.
Hace 5 días · The Ascanian line of Saxe-Wittenberg became extinct with the death of Elector Albert III in 1422, whereafter Emperor Sigismund bestowed the country and electoral dignity upon Margrave Frederick IV of Meissen, who had been a loyal supporter in the Hussite Wars.
6 de may. de 2024 · Philpp Wilhelm von Hohenzollern is geboren op 19 mei 1669 in Schloß Königsberg, Neumark, Brandenburg, Deutschland, zoon van Friedrich Wilhelm I von Brandenburg en Dorothea von Schleswig-Holstein-Sonderburg-Glücksburg. Hij is getrouwd op 25 januari 1699 in Dessau, Sachsen-Anhalt, Alemanha met Johanna Charlotte von Anhalt-Dessau, ze kregen 7 kinderen.. Hij is overleden op 19 december 1711 in ...
4 de may. de 2024 · C12 Bach’s Brandenburg – Part I. Compiled in 1721, and presented to the margrave of Brandenburg-Schwedt in Berlin, the six concertos written for a diverse, demanding and sometimes daring combination of instruments, represent some of the most jubilant, joyful music of the 18th century.
