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Maria Aitken (Dublín, 12 de septiembre de 1945) es una actriz y directora británica nacida en Irlanda. Es hija de sir William Traven Aitken y su esposa Penelope Loader Maffey. Era sobrina-nieta del magnate de la prensa y ministro durante la Segunda Guerra Mundial, William Maxwell Aitken (Lord Beaverbrook) .
- Patrick McGrath (desde 1991)
- Británica
- William Aitken, Penelope, Lady Aitken
Maria Aitken was born on 12 September 1945 in Dublin, Ireland. She is an actress and writer, known for A Fish Called Wanda (1988), Fierce Creatures (1997) and Spider (2002). She has been married to Patrick McGrath since 28 December 1991. She was previously married to Nigel Davenport and Richard Durden.
- Actress, Writer, Producer
- September 12, 1945
- 3 min
Maria Aitken. Maria Penelope Katharine Aitken (born 12 September 1945) is an English theatre director, [1] teacher, actress, and writer. Early life and career. Aitken was born in Dublin, Ireland, the daughter of Sir William Aitken, a Conservative MP, and the Hon. Penelope Aitken, whose father was John Maffey, 1st Baron Rugby.
Maria Aitken was born on September 12, 1945 in Dublin, Ireland. She is an actress and writer, known for A Fish Called Wanda (1988), Spider (2002) and Asylum (2005). She has been married to Patrick McGrath since December 28, 1991. She was previously married to Nigel Davenport and Richard Durden.
- September 12, 1945
Maria Aitken ( Dublín, 12 de septiembre de 1945) es una actriz y directora británica nacida en Irlanda. Datos rápidos Información personal, Nacimiento ... Cerrar. Es hija de sir William Traven Aitken y su esposa Penelope Loader Maffey.
Maria Aitken was born on September 12, 1945 in Dublin, Ireland. She is an actress and writer, known for A Fish Called Wanda (1988), Spider (2002) and Asylum (2005). She has been married to Patrick McGrath since December 28, 1991.
She is the author of A Girdle Round the Earth, a story of some of the more remarkable women travellers of the last 200 years, and Style: Acting in High Comedy, published in 1996, which contends that "High comedies are not bloodless, refined, wordy plays — their themes are sex, money and social advancement.
