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Countess Maria Aurora von Königsmarck (Swedish: Aurora Königsmarck) (28 August 1662 – 16 February 1728) was a Swedish and German noblewoman of Brandenburg extraction and mistress of Augustus the Strong, Elector of Saxony and King of Poland.
- Königsmarck
- 16 February 1728, Quedlinburg
- 28 August 1662, Stade
- Mistress of Augustus the Strong
Maria Aurora Gräfin von Königsmarck (* 28. April 1662 in Stade; † 16. Februar 1728 in Quedlinburg) war eine deutsche Adelige und Dichterin. Sie entstammte dem altmärkischen Adelsgeschlecht Königsmarck. Sie war Mätresse Augusts des Starken und danach Pröpstin des Stiftes Quedlinburg.
19 de mar. de 2024 · Maria Aurora, countess von Königsmark (born May 8, 1662, Stade, Bremen [Germany]—died Feb. 16, 1728, Quedlinburg, Brandenburg) was a German noblewoman and mistress of Augustus II the Strong, elector of Saxony and king of Poland. She was for many years a powerful figure at the Saxon court.
- The Editors of Encyclopaedia Britannica
28 de mar. de 2024 · Als Mätresse Augusts des Starken ist sie in die Geschichte eingegangen - dabei war Maria Aurora von Königsmarck so unendlich vieles mehr: Kreative Dichterin und politische Strategin,...
Aurora von Königsmarck is considered to be the driving force behind the first Swedish production of Jean Racine’s tragedy Iphigénie on 7 January 1674 and 30 April 1684. The text of the play was performed in its original language.
- April 28, 1662
- February 16, 1728
Maria Aurora (Aurora) Königsmarck. Born 8 May 1662 in Stade, Germany. Ancestors. Daughter of Kurt Christoph Königsmarck and Maria Christina Wrangel. Sister of Amalia Vilhelmina von Königsmarck. [spouse (s) unknown] Descendants. Mother of Hermann Moritz (von Sachsen) de Saxe. Died 16 Feb 1728 at age 65 in Quedlinburg, Germany.
Maria Aurora von Königsmarck is one of the most fascinating poets of the 17th century. Educated at the courts in Stade and Stockholm, working for the Saxon Elector, Augustus the Strong, and later as an abbess in Quedlinburg, she wrote numerous poems and plays, of which today especially the lyrical works are handed down.
