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tures of Maria Zambaco as the model for Phyllis is also decreased. This time there was less general objection by the press to the idea of a "love chase" instigated by the woman, although the Times still found the picture "a strange one, its effect repellant in the extreme." 3 Both that newspaper and the Art Journal con-
This drawing, most probably of Maria Zambaco due to the inscription on the reverse, may not be by Burne-Jones, but rather by his studio assistant, Charles Fairfax Murray. In 1872, Zambaco left London to stay in Paris for a while, during which time both Burne-Jones and Murray had visited her (see letters in Harry R Ransom Humanities Research Center, University of Texas at Austin).
17 de jun. de 2016 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
Maria Zambaco (née Cassavetti) 1843-1914. Maria Zambaco and her cousins Marie Spartali and Aglaia Coronio - daughters of wealthy expatriate Greeks - were nicknamed ‘The Three Graces’ in London, where they were famed for their looks, wealth, independence of mind, and intelligence. Maria, uninhibited and estranged from her husband (a ...
She was the muse, model, mistress and student of Edward Burne-Jones (1833-1898).Zambaco's family were patrons of Victorian and Pre-Raphaelite artists. She was also the cousin of Pre-Raphaelite muse and artist, Marie Spartali Stillman (1844-1927). Zambaco exhibited at the Royal Academy from 1886-1889 and at several major French Salons.
Maria Zambaco studiò arte con Alphonse Legros alla Slade School of Fine Art, e con Auguste Rodin a Parigi. Marie aveva molti ammiratori tra cui l'illustratore George du Maurier che, nel 1860, la definì «rude e inavvicinabile, ma di grande talento e di una bellezza davvero meravigliosa».
Retrato de Maria Zambaco de Sir Edward Burne-Jones la fabricamos en papel de aquarela, en lienzo o papel de póster para ustéd. Bastidor, paspartú y moldura también son elegibles.
