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Hace 1 día · The Dancer, Alexander Sacharoff by Marianne von Werefkin, 1909. Fondazione Marianne Werefkin/Museo Comunale d'Arte/Tate. The curators attempted to address the unequal gender divide in the group by ...
Hace 4 días · This house becomes a hub for all their arty friends from Munich, in particular a Russian couple, Alexej von Jawlensky and Marianne von Werefkin, and a German couple, Franz and Maria Marc. In 1911, they publish The Blue Rider Almanac , a sort of manifesto which becomes the name of their collective, a name which evokes their vague mysticism, and their affinity with the natural world.
Hace 1 día · Münter’s Olga von Hartman and Portrait of Marianne Werefkin, with its not-so-subtle Matisse influence, were among the painterly highlights that left a lasting impression. Others, who want to see overlooked female members of the group or big names, such as Franz Marc, will find the entrance price worth it.
Hace 3 días · Fonte:https://www.spreaker.com/episode/31-dicembre-1925-considerazioni-finali-del-viaggio-in-italia-di-marianne-von-werefkin--59989387La viaggiAutrice Marian...
Hace 5 días · La viaggiAutrice Marianne von Werefkin, figura coltissima in un orizzonte europeo tra arte, letteratura e musica, del suo Viaggio in Italia svolto nel 1925 offre forse la singolarità, il tratto acutamente sintomatico dell’espressione femminile. In queste sue pagine libere, toccanti, c’è la voce, l’inconscio, l’emozione, l’intermittenza.
Hace 2 días · Ihr gehörten Gabriele Münter, Wassily Kandinsky, Alexej Jawlensky und Marianne von Werefkin an. Auf ihren Bildern ist der Staffelsee mit seinen Inseln oft zu sehen.
Hace 23 horas · The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
