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Hace 2 días · We talk to Emma Stamm about Mark Fisher, the Limit Experience, Digital Capitalism, internet culture and more.Here are the links to the articles discussed:htt...
Hace 1 día · Been reading Mark Fisher's Capitalist Realism, which I'm very much convinced by and find especially interesting. My question is: how can a non-capitalist society be imagined? If it's true that all of society is imbued with business ontology and capitalism occupies the horizons of the imaginable, how do you get out of that?
Hace 2 días · Pour accompagner le lundisoir de cette semaine autour de l’oeuvre du théoricien et critique culturel britannique Mark Fisher, les excellentes éditions Sans Soleil nous ont autorisé à publier ces bonnes feuilles : soit l’introduction de Par-delà étrange et familier ainsi qu’un chapitre consacré aux films de David Lynch, Mulholland Drive et Inland Empire
Hace 5 días · Simplex Regression, by Mark Fisher. Market Probability Tracker: Estimation Specifics. Notes from the Vault: Market Expectations of Fed Policy: A New Tool. macroblog: What's Moving the Market's Views on the Path of Short-Term Rates? CMEGroup FedWatch Tool—Fed Funds Futures Probability Tree Calculator
Hace 2 días · In this episode, we talk to Mark Fisher about the struggle of holding your team accountable. listen to the full episode [00:00:00] Hello, my friend on today’s episode, Fisher and I are talking about the trials and tribulations of trying to hold your team accountable as a manager and leader of your gym.
Hace 4 días · Mark Hamill remembered his Star Wars co-star Carrie Fisher in a 2023 interview and opened up about the tumultuous relationship they shared over the years. The duo were cast as siblings Luke and Leia Skywalker in the original Star Wars trilogy and reprised their roles in Disney’s sequel films.
Hace 5 días · February 25, 2024 | 2 Comments. By Bill Marx. If only Becoming a Man ‘s pathos were less streamlined, its theatricality more ambitious. Becoming a Man by P. Carl, adapted from his memoir of the same name. Directed by Diane Paulus and P. Carl. Staged by the American Repertory Theater at the Loeb Drama Center, Cambridge, through March 10.
