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  1. Hace 4 días · “Taking Venice'' also jumps around in time to explore Rauschenberg’s development as an artist and person. There are detours about various subjects, including Rauschenberg’s romantic relationship with Jasper Johns and the “experiments and collaborations” he did at North Carolina’s Black Mountain College with the likes of composer John Cage and choreographer Merce Cunningham (the ...

  2. Hace 23 horas · That same week, three duets featuring the work of Merce Cunningham, Liz Gerring and Kyle Abraham will be performed July 12 on the Leir outdoor stage in a co-production by the Merce Cunningham ...

  3. www.culturebot.org › 2024/05/97641 › ready-setReady Set – Culturebot

    Hace 23 horas · READY. A world where mothering is recognized and compensated. SET. A world where womb-having artists receive governmental, institutional, and communal support to continue producing art after they give birth. GO. Art-making and consumption governed by the politics of care. I enter Esmé’s rehearsal room.

  4. Hace 1 día · Dublin Dance Festival 2024: Blkdog, by Botis Seva. Photograph: Laban. As a slogan it could invite rhetoric, but two of the hip-hop-based offerings during the first week provide more substance than ...

  5. snapeditions.com › 2024/05/21 › film-commentssnapSHOT of the art world

    Hace 23 horas · Little-seen still photos and film footage of Rauschenberg—at work, or cavorting with friends and colleagues like Jasper Johns, Merce Cunningham, John Cage, and many others—make Taking Venice requisite viewing for anyone interested in American art of the 1960s and is an invaluable addition to the still-unfolding history of that pivotal moment.

  6. Hace 3 días · The place was filled, with Cage and [Merce] Cunningham and everybody in the scene. The room sounded great, it looked great, it felt great. So all these people said, Well, I’d like to do something.

  7. Hace 3 días · At one point, the entire Merce Cunningham Dance Company’s world tour is diverted to Venice — with Rauschenberg acting as its costume designer — for a sold-out performance at the historic Teatro La Fenice, which, by all accounts, moved the ball in the artist’s favor in the final hours before the Biennale opened. …” Voice

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