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Meret Oppenheim (Berlín; 6 de octubre de 1913 - Basilea; 15 de noviembre de 1985) fue una artista y fotógrafa suiza que se encuadró en el movimiento surrealista. [1] Biografía. Nació en el barrio berlinés de Charlottenburg, su padre alemán y su madre suiza.
“There is one thing I do not want you to ask me,” Meret Oppenheim told an interviewer in 1978. It was spring in New York, and the Swiss artist’s latest work was on display at an uptown gallery. Meanwhile, her most famous work—about which she flatly refused to answer questions—was installed 20 blocks south, in MoMA’s galleries on ...
23 de abr. de 2024 · Meret Oppenheim (born October 6, 1913, Berlin, Germany—died November 15, 1985, Basel, Switzerland) was a German-born Swiss artist whose fur-covered teacup, saucer, and spoon became an emblem of the Surrealist movement. The piece, created when Oppenheim was just 23 years old, became so famous that it overshadowed the rest of her career.
Surrealism in the blood. A fur-coated coffee cup. Le déjeneur en fourrure established Meret Oppenheim as an artist in 1936.An act of poetry, an ambiguous and unsettling artistic creation that...
Meret Oppenheim (6 de octubre de 1913 - 15 de noviembre de 1985) fue una artista y fotógrafa suiza que se encuadró en el movimiento surrealista. Nació en el barrio berlinés de Charlottenburg, su padre era alemán y su madre suiza; con 16 años comenzó a estudiar pintura y con 19 años se trasladó a París a continuar sus estudios en la ...
- German, Swiss
- Berlin, Germany
Meret (or Méret) Elisabeth Oppenheim (6 October 1913 – 15 November 1985) was a German-born Swiss Surrealist artist and photographer. Early life. Meret Oppenheim [1] was born on 6 October 1913 in Berlin. She was named after Meretlein, a wild child who lives in the woods, from the novel Green Henry by Gottfried Keller.
Although Oppenheim is normally aligned with Surrealism, her daring use of found objects is straight-up Dada. She is a key transitional figure, linking the two movements. At a time when the only acceptable role for a woman in the art world was mistress or muse, Oppenheim made it as an artist.
