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  1. Hace 5 días · SALTERN. SLT 002CD. $14.00 NOT IN STOCK. Saltern returns with a gorgeous new recording of Morton Feldman's Clarinet and String Quartet (1983) performed by Anthony Burr (clarinet), Graeme Jennings (violin), Gascia Ouzounian (violin), Che-Yen Chen (viola) and Charles Curtis (cello).

  2. 6 de may. de 2024 · Classical music. Sansara/Manchester Collective review – an exquisitely colourful tribute to Rothko Chapel. Queen Elizabeth Hall, London. Morton Feldman’s 1971 work and three responses to it...

  3. Hace 4 días · Now, with the virtuoso chamber choir Sansara, they’ve given four shows in a week, in London, Leverkusen, Antwerp and Manchester, with a trio of world premieres in the setlist (as they like to call it), each commissioned by themselves and all invited as responses to Morton Feldman’s Rothko Chapel (a seminal 30-minute meditation for choir, solo viola, celeste and percussion from 1971).

  4. 17 de abr. de 2024 · Piano, Violin, Viola, Cello. 2LP. GOD RECORDS. GODREC 071LP. $40.00 NOT IN STOCK. Morton Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from ...

  5. 7 de may. de 2024 · This was the clever set-up, designed by Lewis Howell, in which the musicians of Manchester Collective and Sansara choir presented a programme of music from the past 60-odd years, including three new commissions inspired by the afternoon’s lynchpin – Morton Feldman’s Rothko Chapel.

  6. Hace 4 días · Morton Feldman begins Clarinet and String Quartet with the same four notes in reverse order -- H, C, A, B, if you will. These four notes are repeated over and over by the clarinet and the cello simultaneously, the two instruments in minutely different rhythms and phrasings.

  7. 6 de may. de 2024 · We were rehearsing with Morton Feldman and Aki Takahashi late one night on Feldman’s Piano and String Quartet. Morton said, '‘It should sound like Schubert.’' We then all knew instantly how Morton’s music should sound. As in Schubert, one needs to take immense, loving care for every aspect of making each tone.