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  1. Hace 5 días · Pero como Baldwin acabó comprendiendo, Shakespeare no era el “ autor de su opresión ”. Al igual que Shakespeare no creó la misoginia y el sexismo, tampoco creó la raza y el racismo. Más bien observó las complejas realidades del mundo que le rodeaba, y a través de sus obras articuló una esperanza subyacente de un mundo más justo.

  2. Hace 2 días · Igor Veligan, lecturer in violin, viola, and chamber music at the University of the Pacific, joined the faculty of the Conservatory of Music in the fall of 2006. He has also taught at American River College (2004-2015). He holds a Master’s degree in violin performance and chamber music from Odessa State Conservatory.

  3. Hace 4 días · Browse the Barbicans series of talks and workshops, exploring a range of topics including arts and learning, crafts and history.

  4. Hace 5 días · The national Shakespeare: a fac-simile of the text of the first folio of 1623. London: William Mackenzie. Creator. William Shakespeare, and J. Noël Paton. Source. Special Collections, University of Delaware Library. Publisher. London: William Mackenzie. Date. 1888. Contributor. Alex Johnston. Format. Front Case; National WS2. Language. English.

  5. Hace 1 día · A world-class arts and learning centre, the Barbican pushes the boundaries of all major art forms including dance, film, music, theatre and visual arts.

    • National Shakespeare Conservatory1
    • National Shakespeare Conservatory2
    • National Shakespeare Conservatory3
    • National Shakespeare Conservatory4
  6. Hace 3 días · You were invited to do several productions for both the Royal Shakespeare and the National Theatre. For the Royal Shakespeare Company was All's Well That Ends Well, about two years ago, directed by Trevor Nunn, and you elected to set that in a gigantic conservatory.

  7. Hace 3 días · As a director, her credits include The Wonder of it All and Spit (Here For Now Theatre), King Lear (The Shakespeare Company/Hit and Myth Productions) and Valley Song (New Globe Theatre). As a teacher and mentor, McKenna has conducted workshops and educational programs at the National Theatre School, American Conservatory Theater, Stratford’s Birmingham Conservatory and several universities.