Resultado de búsqueda
This critical manuscript edition makes available for the first time Ezra Pound’s and Olga Rudge’s unfinished and unpublished detective novel, The Blue Spill. Composed in the Italian winter of 1930, the novel is a playfully self-conscious exploration
1 de oct. de 2008 · A loving and admiring companion for half a century to literary titan Ezra Pound, concert violinist Olga Rudge was the muse who inspired the poet to complete his epic poem, The Cantos , and the mother of his only daughter, Mary. Strong-minded and defiant of conventions, Rudge knew the best and worst of times with Pound. With him, she coped with the wrenching dislocations brought about by two ...
Ezra and Olga were an atypical couple living in tumuluous times. While much has been written about Pound's writing, this goes in depth into his life with lover and muse, Olga Rudge. While the reading can be a bit academic at times, his relationship with Olga is fascinating and was clearly the foundation for the expression of his literary genius.
OLGA RUDGE (1895-) Olga Rudge was born in Youngstown, Ohio on April 13, 1895, the daughter of J. Edgar Rudge, a real estate investor, and Julia O'Connell Rudge, a singer. Around 1905, Julia Rudge moved to Europe with her three children, first to London and then to Paris, in pursuit of her singing career. Olga was educated at St.
Abstract. This chapter describes significant events in Olga Rudge's life from 1950–1955. These include Olga's continued efforts to gain Ezra's release; her retu
Abstract. This chapter describes significant events in Olga Rudge's life from 1972–1996. These include Ezra's death and funeral; the signing of a Family Agreeme
1 de oct. de 2008 · Olga Rudge and Ezra Pound: "What Thou Lovest Well" documents the whole of Rudge's long life (1895-1996), with emphasis on all things Ezra. While mostly for the faithful, Rudge's 20th-century transcontinental existence as a violinist and musicologist (helping to revive Vivaldi's work) holds interest for feminists and others with interest in the status of women in the arts.
