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Hace 1 día · James and Anne Hyde in the 1660s, by Sir Peter Lely. After the collapse of the Commonwealth in 1660, Charles II was restored to the thrones of England, Ireland and Scotland. Although James was the heir presumptive, it seemed unlikely that he would inherit the Crown, as Charles was still a young man capable of fathering children.
Hace 1 día · Unfinished portrait miniature of Oliver Cromwell by Samuel Cooper, 1657. Oliver Cromwell (April 25, 1599 – September 3, 1658) was an English military leader and politician. After leading the overthrow of the British monarchy, he ruled England, Scotland, and Ireland as Lord Protector from December 16, 1653 until his death almost five years ...
Hace 3 días · As a result, she was able to succeed as the breadwinner of the family, earning, from the 1650s onwards, £200 a year (the equivalent of what her contemporary Peter Lely was paid as portraitist to the King). Beale was prolific, with good connections and a good reputation.
Hace 1 día · Portrait of William, aged 27, in the manner of Willem Wissing after a prototype by Sir Peter Lely. After his marriage in November 1677, William became a strong candidate for the English throne should his father-in-law (and uncle) James be excluded because of his Catholicism.
Hace 2 días · James Butler (1611–1688), 1st Duke of Ormonde, in Garter Robes, Peter Lely (1618-1680) (style of), 1171123 National Trust. Thomas Butler (1634-1680) 6th Earl of Ossory (Lord Deputy): 7 February 1668; Thomas Butler (1634-1680) 6th Earl of Ossory, studio of Sir Peter Lely, circa 1678, courtesy of National Portrait Gallery NPG 371.
Hace 4 días · Henrietta Maria painted by Sir Peter Lely after the restoration of her son Charles II to the throne. Henrietta Maria returned to England following the Restoration in October 1660 along with her daughter Henrietta.
Hace 5 días · It was also a good night for Sir Peter Lely’s (1618-80) aristocratic portrait of Barbara Villiers, Charles II’s principal mistress and one of the most powerful women of her age. A ‘signature’ image of the countess wearing silver and blue, the picture was first recorded in the collection of James Duff, 2nd Earl of Fife, in 1798, before selling to the vendor’s family in 1962.
