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The catalogue raisonné has used the convention that Burne-Jones adopted for the authorship of the paintings, with additions. Burne-Jones considered that all works issued by the studio were by him and this is what he advised his son, Philip, to adopt when he sold the contents of the studio. However, where the academic panel feels that the work ...
Philip Burne-Jones was the only son of Sir Edward Coley Burne-Jones and, like his father, painted from an early age. He was educated at Marlborough and at University College, Oxford, but had little academic success. Philip began to exhibit at the Grosvenor Gallery in 1886 but preferred to show at the New Gallery from its opening two years later ...
Edward Burne-Jones’ son, Philip Burne-Jones, was also a painter, but his only well known painting is “The Vampire”, a portrait of a femme fatale vampire leaning over her male victim. The model for Philip’s vampire was Mrs. Patrick Campbell, an actress who in 1893. played the lead in “The Second Mrs. Tanqueray”, captured the public eye, and became famous for her beauty and talent.
The catalogue raisonné has used the convention that Burne-Jones adopted for the authorship of the paintings, with additions. Burne-Jones considered that all works issued by the studio were by him and this is what he advised his son, Philip, to adopt when he sold the contents of the studio. However, where the academic panel feels that the work ...
次に表示された制作者による忠実な複製画作品： Philip Burne Jones. 選択する 8 アート作品 有名なアーティストによる作品 support@meisterdrucke.com · 0043 4257 29415
Burne-Jones’s biographer Fiona MacCarthy (The Last Pre-Raphaelite, p 134) wrote that soon after Burne-Jones’s son Philip was born in 1861, his proud father related that their friends thought him ‘the prettiest boy known’ and that ‘Phil was to remain pretty, somewhat to his detriment’.
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