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26 de abr. de 2024 · His Poetry. Sir Philip Sidney, courtier poet by Katherine Duncan-Jones. Call Number: PR2343 .D86 1991. Last Updated: Apr 26, 2024 1:57 PM. URL: https://libguides.msmary.edu/shakespeare.
- Jessica Boyer
- 2011
29 de abr. de 2024 · Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar and soldier who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry) and The Countess of Pembroke's Arcadia.
29 de abr. de 2024 · North was the son of Sir John North and of Dorothy, daughter and heiress of Sir Valentine Dale. He succeeded his grandfather, Roger North, 2nd Baron North, at the age of nineteen. He was educated at Trinity College, Cambridge, [1] and married in 1599 Frances, daughter of Sir John Brocket of Brocket Hall in Hertfordshire.
6 de may. de 2024 · She was the sister of Robert Devereux, 2nd Earl of Essex and is traditionally thought to be the inspiration for "Stella" of Sir Philip Sidney's Astrophel and Stella sonnet sequence (published posthumously in 1591).[2][3] She married Robert Rich, 3rd Baron Rich (later 1st Earl of Warwick) and had a public liaison with Charles Blount ...
3 de may. de 2024 · 4th Earl of Worcester, 6th Baron Herbert: Philip Sidney 1554–1586: Mary Sidney 1561–1621: Robert Sidney 1563–1626 1st Earl of Leicester: Robert Sackville 1561–1609 2nd Earl of Dorset, 2nd Baron Buckhurst: Marquess of Hertford (1st creation), 1641 Duke of Somerset (4th creation restored), 1660: Baron Seymour of Trowbridge ...
19 de abr. de 2024 · Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar and soldier who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry) and The Countess of Pembroke's Arcadia.
7 de may. de 2024 · Richardson effectively pairs Fulke Greville with John Hayward to show alternative reconstructions of Sir Philip Sidney’s Arcadian motifs in the context of James’s reign. Teresa Grant changes the focus to the popular, and popularly Protestant, by analysing Thomas Heywood’s massively successful two-part history play If You Know ...
