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  1. 25 de mar. de 2019 · In part 4 of our history series based on new research on the life of Princess Louise, daughter of Queen Victoria and Prince Albert, Ann Gailliard takes a look at how Louise's celebrated sculptures were produced, and her work with sculptor Joseph Edgar Boehm. Recent research has uncovered some interesting information.

  2. 29 de dic. de 2013 · Princess Louise, Duchess of Argyll (1848-1939), was the sixth child of Queen Victoria. Photograph: Hulton Archive/Getty Images. The Observer Biography books. This article is more than 10 years old.

  3. Princess Louise received her mother’s blessing to marry John Campbell, Marquess of Lorne, later Duke of Argyll; the couple became engaged on 3 October 1870. Louise was the only one of Queen Victoria and Prince Albert’s children to marry into the aristocracy, rather than another royal house.

  4. 11 de mar. de 2019 · In part two of our series looking at the artistic career of Louise, Duchess of Argyll, Ann Galliard takes a look at some of Princess louise's public sculpture projects and asks what she might have achieved without the restrictions placed on a royal princess. In part I of this series we took a look at how the art career of Princess Louise emerged.

  5. 3 de dic. de 2014 · Princess Louise, through marriage to a Duke, had become a rare example of a Princess who was also a non-royal Duchess. Above all, Louise was a talented artist and, as far as her restricted ...

  6. 1 de abr. de 2019 · In part 5 of our series on Princess Louise, the daughter of Queen Victoria and Prince Albert, Ann Galliard explores the friendship between the princess and the sculptor Joseph Edgar Boehm - a friendship frowned upon in some quarters. The professional status of artists changed significantly after the 1860s. Previously, very few artists had the ...

  7. Louise’s marriage to the Marquess of Lorne was arranged by her mother in an attempt to bring her free-spirited daughter into line. Although arranged, and despite Lorne’s probable homosexuality, the marriage was initially happy, but by the 1880s the couple were spending increasing amounts of time living separate lives, and Louise was devoting more time to her art.