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1986 — Europe. Vinyl —. LP, Album, Stereo. Explore the tracklist, credits, statistics, and more for Elektra by Richard Strauss - Vienna Philharmonic Orchestra - Georg Solti. Compare versions and buy on Discogs.
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Klytamnestra - Regina ResnikElektra - Birgit NilssonChrysothemis - Marie CollierAegisth - Gerhard StolzeOrest - Tom KrauseDer Pfleger des Orest - Tugomir Fra...
- 108 min
- 13K
- Blue Nightingale
Fue un intérprete especialmente aclamado en las óperas de Richard Wagner, del que grabó prácticamente todas, así como del repertorio mozartiano, Richard Strauss, Giuseppe Verdi y Gustav Mahler. Sus grabaciones de Salomé y Electra con Birgit Nilsson son referenciales así como las de El caballero de la rosa , Otelo con Plácido ...
- Online Opera Guide and Synopsis to Strauss’ Elektra
- The Proximity to Salome
- The Libretto
- Avantgardism
- The Music
- The Role of Elektra
- An Opera in One Act
- The Reviews.
- The Impressive Böhm / Friedrich Film Adaptation
- Chrysothemis Appears
Few operas can evoke such storms of applause at the end of a performance as Elektra. Its music and its leading role is unique in opera literature, and Strauss, the great tone painter, was able to go to the limits of his time with this music. Content ♪ Commentary ♪ Synopsis ♪ Synopsis ♪ Act I Highlights ♪ Allein! Weh, ganz allein!(Elektra’s monologu...
Strauss was 44 years old when he composed Elektra in 1908 and was a peak of his carreer both as a composer and as a conductor. He had completed Salome a few years earlier. whicht catapulted him into the avant-garde of the European music world. Three years after Salome, it was Elektra’s turn. No one would deny the kinship of Elektra and Salome, for ...
Elektra was Strauss’ first collaboration with Hofmannsthal, which was followed by a 20-year influential artistic partnership. In Elektra, Hofmannsthal closely followed Sophocles’ literary model in terms of content. However, he went far beyond the antique model when designing the personalities of the leading roles. He drew on the work “Studies on Hy...
Strauss consciously sought these points of departure in terms of content. He wanted to use these states of mind as a springboard to enhance musical expression and to go one step further than with Salome. With Elektra, Strauss consolidated his reputation as a leading composer of the avant-garde, which he had earned with his symphonic music (e.g. ein...
As with Salome, Strauss wrote the opera for a huge orchestra, with which he was able to express all facets of human feelings. Large parts of the score are written in dissonant and chromatic music to draw the abysses and injuries of the souls and the despair of the characters. Forty wind instruments and large percussion instruments literally “shout”...
This role occupies a special position in opera literature. No other character, not even Salome or Lady Macbeth, has ever been set in such excessive musical tones in her obsession and drive. Elektra is constantly on stage and is always the centre of the stage action. The voice of Elektra has to sing non-stop against a large orchestra, which requires...
Like Salome, Elektra is a one-act play. The dramaturgy almost completely dispenses with a division into scenes and, in Wagnerian manner, does not allow for a break, to maximize the effect on the listener.
At the premiere, the opera was received with restraint. Although it was quickly performed in many opera houses, the reactions remained mixed. Acclaimed by the avant-gardists, it was critically received by the conservatives. With brutal beats of the orchestra, the Agamemnon motif, the curtain rises and the haunting cries of the maids “Where is Elekt...
Strauss wrote a dazzling music to this long monologue of Elektra, one of the highlights of the opera. The orchestra whips Elektra relentlessly as the shameful murder takes place before her eyes. Only briefly does the music brighten as she imagines, as if in a trance, that her father is reappearing. Accompanied by delicate string tones, she remember...
Chrysothemis is the musical opposition to Elektra. Her music is tonal and soft and the melodies are tender. Ich kann nicht sitzen und ins Dunkel starren – della Casa Wild and grotesque music accompanies the appearance of Clytemnestra. Es geht ein Lärm los – Solti
Richard Strauss: Elektra by Marie Collier, Birgit Nilsson, Regina Resnik, Georg Solti. Find album reviews, track lists, credits, awards and more at AllMusic.
Escucha Richard Strauss: Elektra por Sir Georg Solti en Deezer. Elektra, Op. 58, TrV 223 : R. Strauss: Elektra, Op. 58, TrV 223 - "Wo bleibt Elektra?", Elektra, Op. 58, TrV 223 : R. Strauss: Elektra, Op. 58, TrV 223 - "Allein!
4. Avg Rating: -- / 5. Ratings: 0. Last Sold: Nov 17, 2021. Lowest: $5.56. Median: $10.00. Highest: $11.11. Edit. Richard Strauss. Elektra (Georg Solti) 1967. 1:47:44. Add to List. recomo. More images. Richard Strauss - Wiener Philharmoniker - Georg Solti – Elektra. Tracklist. Companies, etc. Made By – TELDEC »Telefunken-Decca« Schallplatten GmbH.
