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13 de may. de 2019 · Rossellini. Rossellini is one half of the Truffaut/Godard of Italian Neorealism movement with De Sica and I’m not sure there’s a Bicycle Thieves without Rossellini. Rossellini is the Godfather and unofficial founder of Italian neo-realism (though realism has always been a part of cinema with expressionism). Visconti has some claim to that as well with Ossessione but if I had to put one ...
15 de nov. de 2006 · Film series. Nov 15–Dec 22, 2006. Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies (Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.
CARTESIUS: Episode 1. 1:28:10. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and philosophical stringency that changed the course of film history. Rossellini broke out with ROME OPEN CITY, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by PAISAN ...
Roberto Rossellini. Některá data mohou pocházet z datové položky. Roberto Rossellini [Roselíny] ( 8. května 1906 – 3. června 1977 ), byl italský filmový režisér a scenárista, představitel italského filmového neorealismu. Jeho filmy se zabývají válečnou a sociální tematikou. Jeho manželkou byla Ingrid Bergmanová .
Roberto Rossellini Cineasta italiano Roberto Rossellini nació el 8 de mayo de 1906 en Roma, en el seno de una familia de industriales cinematográficos. Cursó estudios de Filosofía y Letras y se inició siendo ayudante de dirección de F. de Robertis. Su obra se caracteriza por la ficción realista y la película didáctica.
A televízió[szerkesztés] Rossellini a Szókratész jelenetét rendezi. Az 1960-as évektől kezdve Roberto Rossellini a televíziózás felé fordult. Számos filmet készített, köztük a XIV. Lajos hatalomra jutása című alkotást a francia tévének 1966 -ban. Később a nyugati világ művészeiről, feltalálóiról, filozófusairól ...
22 de abr. de 2024 · Italian filmmaker Roberto Rossellini caused scandal in both his life and work; his filmmaking was unorthodox and experimental; his interests adventurous and multifaceted. ‘Il miracolo’, from his two-story anthology film L’amore (1948), was denounced as blasphemous and banned in the US before the ban was overturned by the US Supreme Court.
