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Roses à crédit (lit. 'Roses on credit') is a 2010 French drama film co-written and directed by Amos Gitai and starring Léa Seydoux and Grégoire Leprince-Ringuet. It is based on the 1959 novel of the same name by Elsa Triolet. It received its premiere at the 2010 Toronto International Film Festival. Cast
- Amos Gitai, Marie-Jose Sanselme
- Amos Gitai
- Roses à crédit, by Elsa Triolet
- Nicole Collet, Serge Moati
Roses on Credit streaming: where to watch online? You can rent "Roses on Credit" on Kino Now online. Synopsis. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade.
- Amos Gitai
- 113
- Drama, Made in Europe
- Marjoline; Daniel; Mme Donzert
8 de nov. de 2011 · Roses à crédit: Directed by Amos Gitai. With Léa Seydoux, Grégoire Leprince-Ringuet, Catherine Jacob, Pierre Arditi. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade.
- (144)
- Drama
- Amos Gitai
- 2011-11-08
Roses on Credit. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade As France recovers from the trauma of the war the wife finds ...
- (11)
- Léa Seydoux
- Amos Gitai
Roses à crédit. Año. 2010. Duración. 101 min. País. Francia. Dirección. Amos Gitai. Guion. Amos Gitai, Marie-José Sanselme. Novela: Elsa Triolet. Reparto. Fotografía. Eric Gautier. Compañías. France 2 (FR 2), Image & Compagnie. Género. Drama | Histórico. Años 40. Sinopsis.
- Amos Gitai
- Léa Seydoux
Título original: Roses à crédit. Año: 2010. País: Francia. Dirección: Amos Gitai. Intérpretes: Léa Seydoux, Grégoire Leprince-Ringuet, Catherine Jacob, Pierre Arditi, Maud Wyler, Valeria Bruni Tedeschi, Elsa Zylberstein, Ariane Ascaride, André Wilms, Arielle Dombasle. Argumento: Elsa Triolet (novela)
9 de sept. de 2010 · Elsa Triolet. Novel. A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.
