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115.2 × 70 cm. Ajaccio, Musée Fesch. Virgin and Child with an Angel. 1465–1467. Tempera on panel. 87 × 60 cm. Florence, Ospedale degli Innocenti. The Virgin and Child with Two Angels and the Young St. John the Baptist. 1465–1470.
Sandro Botticelli, Portrait of a Young Woman, 1480–1485, tempera on wood, 82 cm × 54 cm (Städel Museum) While Botticelli depicts Clarice Orsini in indoor garb, this young lady, in stark contrast, is portrayed in fantastical dress. Fantastical dress is an imagined clothing style, depicted in images as even more ostentatious than common ...
Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear ...
Sandro Botticelli. Umelecký portál. Taliansky portál. Biografický portál. Sandro Botticelli, vl. menom Alessandro di Mariano di Vanni Filipepi (* 1445, Florencia, Taliansko – † 17. máj 1510, Florencia) bol taliansky maliar, jeden z vrcholných predstaviteľov renesančného výtvarného umenia.
Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear ...
6 de oct. de 2021 · Sandro Botticelli (c. 1445–1510) was a prominent Italian painter of the Quattrocento or Early Renaissance. Roughly seven years older than Leonardo da Vinci, he was one of the first artists of this era to depict humanist subject matter, such as scenes from classical mythology. Additionally, his many influential patrons, including members of ...
10 de feb. de 2018 · Sandro Botticelli. Italia, 1484. Mitología. Pareciera que El nacimiento de Venus (1484), de Sandro Botticelli, siempre está acompañado del suspiro apacible de las olas. Ya sea por la delicadeza con la que la diosa parece emerger de las profundidades, por el soplo acelerado de Eolo, o por la manta con la que la ninfa se apresura a cubrirla ...
