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  1. Sidney Lumet. Director: 12 Angry Men. Sidney Lumet was a master of cinema, best known for his technical knowledge and his skill at getting first-rate performances from his actors -- and for shooting most of his films in his beloved New York. He made over 40 movies, often complex and emotional, but seldom overly sentimental. Although his politics were somewhat left-leaning and he often treated ...

  2. Búsqueda de "Sidney Lumet". Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones, listas y críticas, y una página de consulta de cartelera, horarios de entradas de cine y una web con toda la información de todas las plataformas y ...

  3. 10 de abr. de 2011 · Sidney Lumet, who has died aged 86, achieved critical and commercial success with his first film, 12 Angry Men (1957), which established his credentials as a liberal director who was sympathetic ...

  4. 5 de abr. de 2024 · Sidney Lumet (born June 25, 1924, Philadelphia, Pennsylvania, U.S.—died April 9, 2011, New York, New York) was an American film director who was noted for his psychological dramas, which typically featured characters wrestling with moral or emotional conflicts involving betrayal, corruption, or disillusionment.

  5. 7 de dic. de 2016 · Sidney Lumet to The New York Times critic David Margolick In 1956, Reginald Rose and Henry Fonda commissioned Lumet to turn Rose’s stage production of 12 Angry Men into a Hollywood movie.

  6. Sidney Lumet (1924 - 2011) fue un director y personaje de Estados Unidos conocido por Doce hombres sin piedad, Antes que el diablo sepa que has muerto, Tarde de perros, Serpico, Asesinato en el Orient Express, Network, un mundo implacable, Veredicto final, Declaradme culpable, El abogado del diablo y Punto límite

  7. 9 de abr. de 2011 · Sidney Lumet was born June 24, 1924, in Philadelphia, the son of Polish immigrants who were actors in the Yiddish theater. The boy was onstage from his earliest years. After service in World War Two, he began to direct in small New York companies and then moved in on the ground floor in the new medium of television.