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  1. Strother Douglas Martin Jr. (March 26, 1919 – August 1, 1980) was an American character actor who often appeared in support of John Wayne and Paul Newman and in Western films directed by John Ford and Sam Peckinpah.

  2. Strother Martin. Actor: Slap Shot. American character actor who achieved considerable fame in the last decade of his life. A native of Kokomo, Indiana, Strother Martin Jr. was the youngest of three children of Strother Douglas Martin, a machinist, and Ethel Dunlap Martin.

    • Actor, Soundtrack
    • March 26, 1919
    • 3 min
    • August 1, 1980
  3. Strother Martin (Kokomo, Indiana, EE. UU., 26 de marzo de 1919 – Thousand Oaks, California, EE. UU., 1 de agosto de 1980) fue un actor estadounidense. Biografía [ editar ] En su años de juventud, Martin logró el título de campeón nacional en categoría júnior en clavados y durante la Segunda Guerra Mundial realizó su ...

  4. Strother Martin. Actor: Slap Shot. American character actor who achieved considerable fame in the last decade of his life. A native of Kokomo, Indiana, Strother Martin Jr. was the youngest of three children of Strother Douglas Martin, a machinist, and Ethel Dunlap Martin.

    • March 26, 1919
    • August 1, 1980
  5. 26 de mar. de 2019 · March 26, 2019. Culture, Movies, The 1960s. The Man in the Background of Your Favorite Westerns. Strother Martin played “prairie scum” characters in some of the most acclaimed westerns of all time, and he had a talent for delivering potent dialogue. Nicholas Gilmore. https://commons.wikimedia.org/wiki/File:Strother_Martin.jpg. Weekly Newsletter.

  6. Biography. Strother Martin (March 26, 1919 – August 1, 1980) was an American actor in numerous films and television programs. Martin is perhaps best known as the prison "captain" in the 1967 film Cool Hand Luke, where he uttered the line, "What we've got here is...failure to communicate."

  7. A graduate of the University of Michigan, Strother Martin was the National Junior Springboard Diving Champion when he came to Hollywood as a swimming coach in the late 1940s. He stuck around Lala-land to play a few movie bits and extra roles before finally receiving a role of substance in The Asphalt Jungle (1950).