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Taddea Malaspina (1505 - 1559) [1] was an Italian noblewoman of the 16th century. A scion of the Massa branch of the ancient Malaspina family, she was the mistress of Alessandro de' Medici, Duke of Florence, from the early 1530s to about 1537 and was likely the mother of at least two of his children, Giulio and Giulia de' Medici.
- 1505
- 1559
- Giulio di Alessandro de' Medici, Giulia de' Medici (likely)
- Count Giambattista Boiardo di Scandiano
Giulia Romola di Alessandro de' Medici (c. 1535 – c. 1588) was the illegitimate, possibly multiracial, daughter of Alessandro de' Medici, Duke of Florence and his mistress Taddea Malaspina. Following her father's assassination, she was reared at the court of Cosimo I de' Medici and married advantageously twice.
Retrato de María Salviati y un niño, probablemente Julia de Médici, por Pontormo. Nació poco antes de la muerte de su padre, Alejandro de Médici, en 1537. Fue educada en el Monasterio de San Clemente de Florencia, y más tarde por su tía, María Salviati, madre de Cosme I de Médici. Se casó en primeras nupcias con el duque de Popoli ...
- 1588, Florencia (Gran Ducado de Toscana)
- Catolicismo
Taddea Malaspina Giulio de' Medici ( c. 1533–1598) was the illegitimate son of Alessandro de' Medici , the Duke of Florence , and probably of Taddea Malaspina . Aged about four at the time of his father's assassination, he was passed over as a choice for the succession in favour of Cosimo I de' Medici , the first of the "junior ...
Taddea Malaspina ( 1505 – 1559 [1]) è stata una nobildonna italiana. Fu l'amante di Alessandro de' Medici, duca di Firenze, dal 1530 al 1537 circa e fu probabilmente la madre di almeno due dei suoi figli, Giulio e Giulia [2] (1535-1588). Giulio de' Medici fu associato alla famiglia Malaspina in diversi momenti della sua vita. [3] Indice.
Taddea murió en 1273, a la edad de 72 años. Su vida fue una de las muchas historias de mujeres poderosas e influyentes del Medioevo italiano, cuyas contribuciones y logros han sido a menudo eclipsados por la narrativa dominante de la historia masculina.
The sitter is presumed to be the young widow Taddea Malaspina, the lady who received the painting as a gift from Alessandro according to Giorgio Vasari’s account published over three dec-ades later. Usually taken as a relatively straightforward avowal of love for the.
