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Taddea Malaspina (1505 - 1559) was an Italian noblewoman of the 16th century. A scion of the Massa branch of the ancient Malaspina family, she was the mistress of Alessandro de' Medici, Duke of Florence, from the early 1530s to about 1537 and was likely the mother of at least two of his children, Giulio and Giulia de' Medici. Giulio ...
- 1505
- 1559
- Giulio di Alessandro de' Medici, Giulia de' Medici (likely)
- Count Giambattista Boiardo di Scandiano
Taddea Malaspina fue una noble italiana del siglo XIII, nacida en la región de Toscana. Su familia pertenecía a la nobleza genovesa y tenía importantes tierras en la región de Lunigiana, en el norte de Italia.
Giulio de' Medici (c. 1533–1598) was the illegitimate son of Alessandro de' Medici, the Duke of Florence, and probably of Taddea Malaspina. Aged about four at the time of his father's assassination, he was passed over as a choice for the succession in favour of Cosimo I de' Medici, the first of the "junior" branch of the Medici to ...
Taddea Malaspina ( 1505 – 1559 [1]) è stata una nobildonna italiana. Fu l'amante di Alessandro de' Medici, duca di Firenze, dal 1530 al 1537 circa e fu probabilmente la madre di almeno due dei suoi figli, Giulio e Giulia [2] (1535-1588).
The sitter is presumed to be the young widow Taddea Malaspina, the lady who received the painting as a gift from Alessandro according to Giorgio Vasari’s account published over three dec-ades later. Usually taken as a relatively straightforward avowal of love for the.
28 de abr. de 2022 · Taddea Boiardo (Malaspina) Birthdate: 1505. Death: Immediate Family: Daughter of Antonio Alberico II Malaspina, marquis of Massa and Lucrezia d'Este. Wife of Giovanni Battista Boiardo, conte di Scandiano. Partner of Alessandro "il Moro" de'Medici, duca di Firenze.
the possibility that the woman being drawn represents Taddea gazing back into the eyes of her lover. The woman drawn by Alessandro, care-fully and purposefully termed by Vasari “the head of a woman”—not, that is, “Lady Taddea,” whose physiognomy he would have known— was fashioned in profile. The object of Alessandro’s scrutiny ...
