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  1. Taddea Malaspina (1505 - 1559) was an Italian noblewoman of the 16th century. A scion of the Massa branch of the ancient Malaspina family, she was the mistress of Alessandro de' Medici, Duke of Florence, from the early 1530s to about 1537 and was likely the mother of at least two of his children, Giulio and Giulia de' Medici. Giulio ...

    • 1505
    • 1559
    • Giulio di Alessandro de' Medici, Giulia de' Medici (likely)
    • Count Giambattista Boiardo di Scandiano
  2. Taddea Malaspina ( 1505 – 1559 [1]) è stata una nobildonna italiana. Fu l'amante di Alessandro de' Medici, duca di Firenze, dal 1530 al 1537 circa e fu probabilmente la madre di almeno due dei suoi figli, Giulio e Giulia [2] (1535-1588).

  3. Giulia Romola di Alessandro de' Medici (c. 1535 – c. 1588) was the illegitimate, possibly multiracial, daughter of Alessandro de' Medici, Duke of Florence and his mistress Taddea Malaspina. Following her father's assassination, she was reared at the court of Cosimo I de' Medici and married advantageously twice.

    • ca. 1588, Italy
    • ca. 1535, Florence
    • Giulia Romola di Alessandro de' Medici
    • Medici
  4. Giulio de' Medici (c. 1533–1598) was the illegitimate son of Alessandro de' Medici, the Duke of Florence, and probably of Taddea Malaspina. Aged about four at the time of his father's assassination, he was passed over as a choice for the succession in favour of Cosimo I de' Medici, the first of the "junior" branch of the Medici to ...

    • Caterina de' Medici, Cosimo de' Medici (illegitimate), Giuliano de' Medici (illegitimate)
    • Medici
    • 1598, Pisa, Duchy of Florence
  5. Taddea Malaspina fue una noble italiana del siglo XIII, nacida en la región de Toscana. Su familia pertenecía a la nobleza genovesa y tenía importantes tierras en la región de Lunigiana, en el norte de Italia.

  6. The Cathedral of Massa is a treasure trove of works of art, such as Pinturicchio’s Madonna with Child, a nativity scene in coloured terracotta by Benedetto Buglioni, Bergamini’s marble altars and a font by Riccomanni.

  7. The sitter is presumed to be the young widow Taddea Malaspina, the lady who received the painting as a gift from Alessandro according to Giorgio Vasari’s account published over three dec-ades later. Usually taken as a relatively straightforward avowal of love for the.