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  1. Noix de coco ( The Cocoanuts) est un film musical comique américain des Marx Brothers réalisé par Robert Florey et Joseph Santley, sorti en 1929 durant l'ère pré-Code . Produit pour Paramount Pictures par Walter Wanger (dont le nom n'est pas cité), il met en vedette les quatre frères Marx, Oscar Shaw, Mary Eaton et Margaret Dumont.

  2. 1 de abr. de 2022 · Screenshots. The Cocoanuts (1929) In the Marx Brothers' debut 96-minute film with music and lyrics by Irving Berlin - one of the earliest successful talkie films; it was derived from a Broadway musical stage hit and marked by numerous clever one-liners and puns and some memorable sequences, but also plagued with long musical interludes and ...

  3. The Cocoanuts trailers, video clips available on Blu-ray, DVD, Digital HD and On Demand from Universal Pictures Home Entertainment. Watch The Cocoanuts trailers and video and find out where to buy or view the The Cocoanuts trailers, video clips.

  4. THE COCONUTS ist genau das, was Ihre Veranstaltung braucht. Firmenevents, Hochzeiten, Privatveranstaltungen, Fasnachtsbälle, Turnfeste, etc. Finden Sie eine andere Band mit solchen Stimmen, die ohne lange Pausen den ganzen Abend für Sie die Gäste unterhält?

  5. The Cocoanuts is a 1929 American musical comedy movie directed by Robert Florey and Joseph Santley and was based on the 1925 musical of the same name. It stars Marx Brothers , Mary Eaton , Oscar Shaw , Margaret Dumont , Kay Francis , Cyril Ring and was distributed by Paramount Pictures .

  6. When Mrs. Potter’s necklace disappears, the suspects are drawn from Silent Sam (Harpo) and Willie (Chico), two vagabonds intent on stealing the hotel’s silverware, and a hotel clerk in love with Mrs. Potter’s daughter, Polly. More to the point, the show includes the classic “Why a Duck?” routine, and the classic auction scene.

  7. www.metacritic.com › movie › the-cocoanutsThe Cocoanuts - Metacritic

    The A.V. Club. Only about half of 1929's The Cocoanuts, an early sound-era comedy, was entrusted to the Marx brothers' vaudevillian antics; the rest was left to drippy Irving Berlin songs, kick-lines of bathing beauties, and a half-baked subplot about a stolen necklace. Yet the good scenes establish the Marx dynamic to hilarious effect.