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In order to discover the nature of art that really holds sway in the work let us approach the actual work and ask it what and how it is. Everyone is familiar with artworks.
"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
- Martin Heidegger
- Germany
- 1950
- Der Ursprung des Kunstwerkes
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
- Jonathan Dronsfield
- 2009
‘The Origin of the Work of Art ’: Heidegger. Patrick Hutchings. Published online: 13 September 2012 Springer Science+Business Media B.V. 2012. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
- Patrick Hutchings
- 2012
Key words: Heidegger, origin, work of art, thing, useful thing, truth as alétheia. Vamos a intentar hablar de la conferencia que redactó Martin Heidegger en 1935 bajo el título El Origen de la obra de arte.
One of his main concerns was rooted in his strong concern of subjectivism, as he accused the modern aesthetics of separating the artwork from the world engagement. Thus, the main focus of this essay is to shed light on Heidegger’s main work discussing art named Origin of The Work of Art.
Heidegger conceives truth always in aletheia, unhiddenness, the unhiddenness of existing reality, Heidegger can conclude: By revealing the true nature or or, generally speaking, of existing reality, art establishes work of art. Truth is conceived here as something that place.
