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"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
- Martin Heidegger
- Germany
- 1950
- Der Ursprung des Kunstwerkes
how there is art at all, we will attempt to discover the nature of art where there is no doubt that art genuinely prevails. Art presences in the art-work [Kunst-werk]. But what and how is a work of art? What art is we should be able to gather from the work. What the work is we can only find out from the nature of art. It is easy to see that we
The work is the origin of the artist. Neither is without the other. However, neither of them alone bears the other. Artist and work are, each in themselves and in their mutual relations, through a third, namely through art, which is the first from which artist and artwork have their name.
- Roger Berkowitz
Heidegger spent hours looking at Klee's late paintings and expressed a keen interest that was never fulfilled to write about them. Nonethe. less, the writing on art that is his most well known, "The Origin of the. Work of Art," written in the mid-1930's, remained a somewhat con. flicted work about the art of its time.
His longest discussion of art, The Origin of the Work of Art, first published in 1950 in the collection Holzwege, was derived from material initially delivered in a public lecture to the Art-Historical Society of Freiburg-im-Breisgau on 13 November 1935.
- Michael Watts
- 2011
13 de sept. de 2012 · ‘The Origin of the Work of Art’: Heidegger. Published: 13 September 2012. Volume 51 , pages 465–478, ( 2012 ) Cite this article. Download PDF. Patrick Hutchings. 2244 Accesses. Explore all metrics. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'.
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
