Resultado de búsqueda
THE PURPLE ROSE OF CAIRO is a lovely, funny, and heartbreaking entry from Woody Allen that still remains one of my favorites. This romantic fantasy tickles your funny bone and tugs at your heartstrings at the same time and I go through a myriad of emotions whenever I watch it. Mia Farrow stars as Celia, a depression era housewife, trapped in a ...
Inglés. Duración. 82 min. Estreno. 24 de Ene 1986. Tomatómetro. 91 Les gustó. Consenso de Críticos: Ligera y dulce, La Rosa Púrpura del Cairo se pone como una de las más inventivas-- y encantadoramente caprichosas-- películas de Woody Allen.
Dirección: Woody Allen Intérpretes: Mia Farrow, Jeff Daniels, Danny Aiello, Dianne Wiest. Con guión de Woody Allen (“El Dormilón”, “Toma El Dinero y Corre”). Sinopsis Año 1935. Cecilia (Mia Farrow) es una camarera que malvive en una pequeña localidad de Nueva Jersey con su marido, un bruto y haragán hombre llamado Monk (Danny Aiello). Su
The Purple Rose of Cairo is love letter to the magic of the movies and an obvious metaphor for movie escapism. The absurd fantasy premise is really taken to the extreme. We've got the obvious ensuing "fish out of water" theme as the fictional character learns about the real world, while the rest of the film characters panic over how to get their picture finished, and the actor playing…
A comedy-fantasy about a Depression-era movie fan/waitress whose day-to-day existence is enlivened when her latest idol walks right off the screen and into her life. Romance 1985 1 hr 22 min. 93%. G. Starring Mia Farrow, Jeff Daniels, Danny Aiello. Director Woody Allen.
1985 | Winner: FIPRESCI Prize (Out of Competition) Academy Awards. 1986 | Nominee: Best Writing, Screenplay Written Directly for the Screen. Golden Globes (USA) 1986 | 3 nominations including: Best Motion Picture - Comedy or Musical. 1986 | Winner: Best Screenplay - Motion Picture.
21 de ene. de 2015 · The Purple Rose of Cairo’s hard truth about the frailty of art and artifice, and yet how its is always indispensable. This film shows both the danger of filmmaking’s world-building, as well as ...
