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Hace 10 horas · In 1949, Theodor Adorno declared that “to write poetry after Auschwitz is barbaric.” Danielle Steel has proved Adorno's point. Not that there's anything poetic about her new Holocaust novel, Only the Brave, but using the Final Solution as the setting for a sentimental melodrama is profoundly unseemly.
Hace 10 horas · “En aquel momento otros músicos buscaban devolver a la música su belleza y restaurar su humanidad y esta obra hace justo lo contrario”, explica Eichler. “[El filósofo Theodor] Adorno lo comparaba con el Guernica porque toma la barbarie de la historia y la pone de lleno en el marco de la propia obra de arte”.
Hace 10 horas · El ensayo ‘El eco del tiempo’ (Paidós), del crítico Jeffrey Eichler, investiga el recuerdo de los hechos históricos en la obra de cuatro compositores: Richard Strauss, Arnold Schoenberg ...
Hace 10 horas · Theodor W. Adorno – Adorno’s contributions are pivotal in the critique of culture, aesthetics, and the music industry. His works explore how culture industries can manipulate and pacify the masses, leading to conformity rather than critical thinking.
Hace 10 horas · Full metal enquête. A pour « Adorno, Theodor W. [...] comptant parmi les principaux représentants de la théorie critique (École de Francfort) », W pour « Wall of Death, variante du moshpit », où deux groupes formés par le public d'un concert de heavy metal entrent en collision au signal des musiciens...
Hace 1 día · New music’s ‘chief theoretician’, Theodor W. Adorno, became interested in her works and their style, which was rooted in late Romanticism and aimed at Modernism by way of Expressionism, New Objectivity and Neo-Baroque, all the while retaining its playful, charming air.
Hace 10 horas · Theodor Adorno in Minima Moralia (1951), as translated by E. Jephcott (1974), § 143, p. 222. Truth is strong enough to overcome all human sophistries. Aeschines, Timarchum, 84 (107). The truth which makes men free is for the most part the truth which men prefer not to hear. Herbert Agar, A Time for Greatness (1942) ch. 7
