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Hace 8 horas · Abstract. The turning inside out of profane/sacred music has been an aspect of the doubleness of the Commedia. More obvious are those moments where the written text’s Cosmos turns inside out. There had been the moment in the bottom of Inferno where Dante and Virgil climb down/up Lucifer’s legs, the turning point at his groin, his genitalia.
Hace 8 horas · Dante then, in Inferno X, as we noted, encounters among the heretics, the feuding Ghibelline Farinata degli Uberti and Guelf Cavalcante Cavalcanti, at the Peace of Cardinal Latino made father-in-law and father, respectively, of Dante’s own Avverroïst soul-mate, Guido, whose death he is about to cause and about whose fate he is silent, that Guido who had married Farinata’s now to-be ...
Hace 8 horas · The Cavalcanti family members, including Guido himself, were all buried in these tombs, Dante, Inferno X.32–113, meeting Guido’s father, Cavalcante Cavalcanti, and Guido’s father-in-law, Farinata degli Uberti, as lodged forever in such a marble sarcophagus, the iconography of Farinata that of the Pietà of Christ, seen rising from the tomb, Botticelli drawing this scene recalling the ...
Hace 8 horas · Dennis Looney so titled his book, Freedom Readers. We can become “Freedom Readers”, Dante explaining that the Freedom of the Soul is the intent and goal of his allegory, indeed the anagogy, of his Commedia ’s use of Psalm 113, “ In exitu Israel de Aegypto ”. 1. I had titled this chapter, “Dante’s Democracy”.
