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  1. Hace 6 días · A modification of ”Old Brass,” the name given to the 4,000-acre tract of land on the banks of the Combahee River, the plantation is one of the largest and most complex residential projects Wright ever undertook. Wright’s vision—including a main house, guest house, cabins, caretaker’s residence, staff cabins, barn stables, aviary and ...

  2. Hace 6 días · If you are already registered —select Sign in at the top right of the ticket page. Once signed in, you will be able to reserve and purchase tickets with your benefits, and access Members-Only Programs. We are always happy to help! If you have questions, contact us: 480.627.5374. Membership@franklloydwright.org.

  3. Hace 6 días · One of four Mayan Revival-style textile block houses that Wright built in Southern California between 1922-1934, the Storer House is notable for its richly textured concrete walls and is the only of its kind to employ multiple patterns on its blocks (four in all).

  4. Hace 4 días · Taj Mahal, India. Transport yourself to Agra to witness the immortal beauty of the Taj Mahal. Its symmetrical perfection, intricate marble inlays, and captivating history make it a global symbol ...

  5. Hace 6 días · Wright sought to create a “truly American campus” and designed an 80-acre network of buildings and covered walkways radiating from a central hub. Beginning in 1938 with the Annie Pfeiffer Chapel—the angular focal point of the Methodist school’s campus—Wright would see 12 of his 18 envisioned structures take shape over the next 20 years.

  6. Hace 6 días · The main living space spans a forty-foot ravine, and is anchored to the hill by the bedroom wing that culminates in a ground-level master suite. The Afflecks lived in the house until their deaths in the early 1970s. In 1978, their children donated the house to the Lawrence Technological University so that it could be used as an educational ...

  7. Hace 6 días · flwrightwichita.org. The last of Wright’s Prairie residences, it simultaneously recalls the early houses of the period and prefigures Wright’s Usonian style of the 1930s. Wright designed the house while working on the Imperial Hotel in Tokyo and the square structure, with its enclosed lily pool and garden, has a notably Japanese aesthetic.