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  1. Watch on the Rhine: Directed by Herman Shumlin, Hal Mohr. With Bette Davis, Paul Lukas, Geraldine Fitzgerald, Lucile Watson. A German-born engineer, his American wife and their children travel from Mexico to the United States to visit her family, but a Romanian count complicates their plans.

    • Bkoganbing
    • 2 min
    • Herman Shumlin, Hal Mohr
  2. Watch on the Rhine is a 1943 American drama film directed by Herman Shumlin and starring Bette Davis and Paul Lukas. The screenplay by Dashiell Hammett is based on the 1941 play Watch on the Rhine by Lillian Hellman.

    • August 27, 1943
  3. Watch on the Rhine (en español, Alarma en el Rin [1] o Centinela en el río) es una película dramática estadounidense de 1943 dirigida por Herman Shumlin. El guion fue escrito por Dashiell Hammett basándose en la obra de teatro homónima (1941) de Lillian Hellman.

    • Alarma en el Rin, Centinela en el río, (Venezuela)
    • Hal B. Wallis
  4. Alarma en el Rhin es una película dirigida por Herman Shumlin con Bette Davis, Paul Lukas, Geraldine Fitzgerald, Lucile Watson .... Año: 1943. Título original: Watch on the Rhine. Sinopsis: Tras pasar 18 años en Europa, el matrimonio formado por Sara y Kurt Muller y sus tres hijos regresa a casa de la madre de Sara en Washington.

    • (228)
    • Estados Unidos
    • Hal Mohr; Merrit B. Gerstad
    • Herman Shumlin
  5. Watch on the Rhine, drama in three acts by Lillian Hellman, published and produced in 1941. Performed just eight months before the United States entered World War II, Hellman’s play exposed the dangers of fascism in America, asserting that tyranny can also be battled on the home front.

    • The Editors of Encyclopaedia Britannica
  6. Watch on the Rhine - (Original Trailer) Nazi agents pursue a German freedom-fighter and his family to Washington in Watch on the Rhine (1943), with Paul Lukas & Bette Davis, from Lillian Hellman's play.

  7. Watch on the Rhine is a 1941 American play by Lillian Hellman. In an essay on World War II, a contributor to The Companion to Southern Literature (2002) wrote that the play's "peculiar combination of drawing-room comedy in a genteel southern home with sinister corruption of the Nazi regime in Europe made for a unique and powerful ...