Resultado de búsqueda
Hace 2 días · Emma Goldman (June 27, 1869 – May 14, 1940) was a Lithuanian-born anarchist revolutionary, political activist, and writer. She played a pivotal role in the development of anarchist political philosophy in North America and Europe in the first half of the 20th century.
- May 14, 1940 (aged 70), Toronto, Ontario, Canada
- Forest Home Cemetery, Illinois
2 de may. de 2024 · William Goldman won for All the President's Men (1976). Alvin Sargent won the award twice, first for Julia (1977) and then for Ordinary People (1980). Oliver Stone won for Midnight Express (1978).
Hace 4 días · Major Goldman Sachs offices. 30 Hudson Street in Jersey City, New Jersey, U.S. 222 Main, Salt Lake City, Utah, U.S. The Goldman Sachs Group, Inc. ( / sæks / SAKS) is an American multinational investment bank and financial services company. Founded in 1869, Goldman Sachs is headquartered in Lower Manhattan in New York City, with regional ...
- 1869; 154 years ago
- Financial services
- 48,500 (2022)
- US$47.37 billion (2022)
25 de abr. de 2024 · Emma Goldman (born June 27, 1869, Kovno (now Kaunas, Lithuania), Russian Empire—died May 14, 1940, Toronto, Ontario, Canada) was an international anarchist who conducted leftist activities in the United States from about 1890 to 1917.
- The Editors of Encyclopaedia Britannica
20 de abr. de 2024 · Though the film needed more substance from William Goldman’s anachronistic screenplay, it still earned some $100 million. Assassins (1995) was minor fare, presenting Sylvester Stallone as the world’s number one assassin, which makes him a target for an up-and-coming hit man ( Antonio Banderas ).
2 de may. de 2024 · William Goldman is a two-time Academy Award-winning screenwriter whose work has left an indelible mark on the world of cinema. He crafted unforgettable tales of adventure, romance, and intrigue in films like Butch Cassidy and the Sundance Kid, The Princess Bride, and All the President's Men.
15 de abr. de 2024 · In one of his always entertaining books about Hollywood, screenwriter William Goldman offered a candid insight into why one picture he wrote, 1996’s The Ghost and The Darkness, didn’t work. He blamed its failure on the casting of Michael Douglas in a prominent role as a nineteenth-century big game hunter, describing Douglas the epitome of the “flawed, contemporary American male.”
