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  1. en.wikipedia.org › wiki › John_HustonJohn Huston - Wikipedia

    2 de may. de 2024 · Huston described those years as a "series of misadventures and disappointments". In 1933 he was in a romantic relationship with actress Zita Johann. While driving drunk, with Johann as passenger, he hit a parked car sending Johann through the glass windshield. She suffered head trauma and Huston was charged with driving while ...

  2. en.wikipedia.org › wiki › Clark_GableClark Gable - Wikipedia

    Hace 2 días · In 1928's Machinal with Zita Johann, Gable was lauded as "young, vigorous, and brutally masculine" by one critic. Gable and Dillon traveled to Hollywood in 1924. Dillon became his manager and also his wife; she was 17 years his senior.

  3. Hace 3 días · Catherine Zeta-Jones CBE ( / ˈziːtə /; born 25 September 1969) [a] is a Welsh actress. Recognised for her versatility, she has received various accolades, including an Academy Award, a British Academy Film Award, and a Tony Award. In 2010, she was appointed Commander of the Order of the British Empire (CBE) for her film and humanitarian work.

  4. 29 de abr. de 2024 · 10 hours ago. Log in. silentprecodehorror on April 29, 2024: "Boris Karloff and Zita Johann in the 1932 pre-Code horror film THE MUMMY. Johann preferred the stage to the screen, but she made her last...".

  5. 15 de abr. de 2024 · Here’s to the First Lady of Mummy Monday: Zita Johann! Starring alongside Boris Karloff in 1932’s “The Mummy”, Zita played the dual roles of Helen Grosvenor and Princess Anck-es-en-Amon. She is also arguably one of the best leading ladies of the Universal Monsters for her presence and power on screen.

  6. 29 de abr. de 2024 · Catherine Zeta-Jones (born September 25, 1969, Swansea, Wales) is a Welsh -born actress who demonstrated her versatility in a wide range of films, most notably the musical Chicago (2002), for which she won the Academy Award for best supporting actress.

  7. 17 de abr. de 2024 · Abstract. In this chapter, I discuss the Japanese vampire within the wider framework of the vengeful [female] ghost arguing that Western-type vampires which can be found in contemporary Japanese cinema are an import rather than being indigenous. While the figure of the ghost as vampire represents female fury at male infidelity and intimacy, the ...