2022
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18 de abr. de 2024 · ¿Quién es Agnès Varda? La figura que inspiró a Google a dedicarle un Doodle. Considerada como una figura emblema del cine francés y también mundial, Agnès Varda siempre destacó por su estilo y lucidez política, siendo la única representante femenina de la Nouvelle Vague, que era una ola de cineastas franceses desarrollada a finales de los 50.
25 de abr. de 2024 · La amistad como problema político a enfrentar. En este texto propongo utilizar la película de Agnès Varda L’une Chante, L’autre Pas (1977) como eje crítico y de pensamiento para repensar la importancia de la creación vincular entre mujeres.
23 de abr. de 2024 · L’Opéra-Mouffe was personal for Varda, who was expecting her first child while making it. Thus, the film explores the myriad of emotions felt by a pregnant woman, including her anxieties about the world she’ll be delivering her child into. The movie begins with scenes of a naked pregnant woman sitting in a darkened room, her rounded belly ...
Hace 5 días · Leading post-war film-director, initiator of the Nouvelle Vague, acknowledged by Hollywood during her lifetime, Agnès Varda's work (1928-2019) was quirky, open to the world, sensitive to society's most vulnerable, often zany. She frequently recounted her life, her work, building her legend. But was reality even more extraordinary? A free-ranging portrait.
2 de may. de 2024 · Director: Agnès Varda. La Pointe Courte (1955) The great Agnès Varda has described her first film as having “hit like a cannonball”, not least “because I was a young woman” when it was released.
1 de may. de 2024 · Agnès VARDA 1928-2019. Arlette Varda, renommée Agnès à ses dix-huit ans, est née en 1928 à Ixelles (Belgique). Elle étudie aux Beaux-Arts de Paris et à l’Ecole du Louvre et se diriger vers la photographie. Réalisatrice de nombreux films, elle débute sa carrière avec le long métrage La pointe courte en 1954, réunissant ...
14 de abr. de 2024 · Barbara Quart Agnes Varda: A Conversation Agnes Varda has been making films for over three decades now, starting out at a time when less than a handful of women were directing. Varda's longevity as a serious film-maker, her capacity for survival, is in itself moving, as other august figures have come and gone, their trajectories played out by death or burn- out in one form or another.
