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Il trionfo dell'onore ( El triunfo del honor) es una comedia operística en tres actos con música del compositor italiano Alessandro Scarlatti, sobre libreto de Francesco Antonio Tullio. Se estrenó en el Teatro dei Fiorentini, Nápoles el 26 de noviembre de 1718. Es la única ópera cómica de Scarlatti que se conoce.
- 3 actos
- ópera cómica
Il trionfo dell'onore (The Triumph of Honour) is an operatic 'commedia' in three acts by the Italian composer Alessandro Scarlatti, with a libretto by Francesco Antonio Tullio . It was first performed at the Teatro dei Fiorentini, Naples, on 26 November 1718. It is Scarlatti's only known comic opera.
Alessandro Scarlatti’s. Il Trionfo dell’Onore. 11 years ago. Gary Hoffman. Alessandro Scarlatti was a tremendously prolific composer of the Italian era. after Cavalli and before Vivaldi and Handel, famous throughout Italy, then soon. forgotten. In this period, the late seventeenth and early eighteenth centuries.
Il trionfo dell'onore es una comedia operística en tres actos con música del compositor italiano Alessandro Scarlatti, sobre libreto de Francesco Antonio Tullio. Se estrenó en el Teatro dei Fiorentini, Nápoles el 26 de noviembre de 1718. Es la única ópera cómica de Scarlatti que se conoce.
30 de may. de 2013 · Underworld Productions Opera has just given the New York premiere of Scarlatti’s 1718 opera buffa, Il Trionfo dell’Onore, which may or may not be typical of the comic output of the day. (Winton Dean says Scarlatti was stylistically eccentric, which appeals more to us than it did to the regular audience of his own time.)
26 de may. de 2013 · May 26, 2013. Alessandro Scarlatti, described by the New Grove Dictionary of Opera as “the most important opera composer of his generation in Italy,” wrote more than 60 operas, working mostly...
La única ópera cómica de Scarlatti, Il trionfo dell'onore, se estrenó en Nápoles en 1718. Inspirada en la figura del Don Juan, presente en el siglo XVII en las obras de Molière y Tirso de Molina, el genial compositor siciliano ofrece una pieza deliciosa, precursora de la comedia en la escuela napolitana.
