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  1. 4 de may. de 2021 · Thus, the literary creations developed during the Baroque period will come to be known as Baroque literature or Baroque literature. On the other hand, many experts defined baroque literature as “art of seeming”, highlighted by three determining traits: spectacularity, emotionality and effectiveness.

  2. What are the characteristics of Baroque literature? The characteristics of this period are the use of figurative language , such as similes and metaphors , as well as other literary devices like hyperbole and imagery .

  3. Updated on October 09, 2019. In literary studies and rhetoric, a style of writing that is extravagant, heavily ornamented, and/or bizarre. A term more commonly used to characterize the visual arts and music, baroque (sometimes capitalized) can also refer to a highly ornate style of prose or poetry.

  4. en.wikipedia.org › wiki › BaroqueBaroque - Wikipedia

    The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, and Poland.

    • 17th–18th centuries
  5. 10 de jul. de 2018 · Oxford Handbooks. Collection: Oxford Handbooks Online. Contents. Front Matter. Copyright Page. Acknowledgments. Contributors. 1 Introduction: The Crisis of the Baroque. John D. Lyons. View chapter. I Visual, Spatial, and Performing Arts. 2 Decentering the European Imaginary: A Baroque Taste for India. Faith E. Beasley. View chapter.

  6. The fundamental characteristics of Spanish Baroque literature are the progressive complexity in the formal resources and a theme centered on the concern for the passage of time and the loss of confidence in the Neoplatonic ideals of the Renaissance.

  7. 10 de jul. de 2018 · For theoretically oriented readers, the term “baroque” as indicator of a certain style or mode serves a range of functions in the twenty-first century, casting new light on visuality, on intermediality, or on the digital, via a neobaroque often inspired by Gilles Deleuze more than by the seventeenth century. 5 Christopher Johnson ...