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La infanta. Catalina Micaela. Hacia 1584. Óleo sobre lienzo, 111 x 91 cm. Sala 055. Figura de más de medio cuerpo, en pie. Viste saya entera negra con cuello y puños de puntas, mangas interiores, blanco y oro, lazos blancos; dos vueltas de perlas; collar, cinturón, hombreras y botones de oro labrado; los guantes en la mano izquierda.
Find a Grave Memorial ID: 208563501. Source citation. Infanta Caterina Micaela of Spain, Duchess of Savoy, served as regent several times during the absence of her husband, Charles Emmanuel I, Duke of Savoy. She was the younger surviving daughter of Philip II of Spain and Elisabeth of Valois, a daughter of Henry II of France and Catherine de ...
Austrian archduchess (1567-1597) Catalina Micaela Caterina Micaela Infanta de España d'Asburgo (Habsburg) (10 Oct 1567 - 6 Nov 1597)
Charles Emmanuel I, Duke of Savoy suggested that he should marry Catalina Micaela as a way of gaining Spanish support for his plans to expand Savoy on the coast of the then weakened France. The wedding took place in Zaragoza on 11 March 1585, and the couple made their entrance to Turin in Savoy on 10 August 1585.
Catherine Michaela of Spain (Spanish: Catalina Micaela de Austria; 10 October 1567 – 6 November 1597) was Duchess of Savoy by marriage to Duke Charles Emmanuel I. She ruled the Duchy several times as regent in Charles Emmanuel's absence, notably during his campaign in 1594. She was the younger surviving daughter of Philip II of Spain and Elisabeth of Valois.
Isabella Clara Eugenia's coat of arms as Infanta of Spain shows the fleurs-de-lis of Burgundy (modern). Candidate to the French throne [ edit ] After her maternal uncle, Henry III of France , was assassinated by the fanatical young monk Jacques Clément on 2 August 1589, Philip II claimed the French crown on Isabella's behalf despite France's Salic law , which forbade cognatic succession.
Catalina Micaela. Hacia 1575. Óleo sobre lienzo, 135 x 149 cm. Sala 055. Las dos hijas del rey Felipe II, Isabel Clara Eugenia (1566-1633) y Catalina Micaela (1567-1597), fueron retratadas desde muy niñas por Alonso Sánchez Coello, uno de sus pintores de corte, en un tipo de efigie cuyas características coinciden con las del retrato ...
