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Elle est située au centre de la ville de Christchurch, et domine la place dite Cathedral Square. Endommagée par un séisme en 2011 , elle est démolie et sera remplacée par un nouvel édifice. Une cathédrale temporaire réalisée par Shigeru Ban est construite pour assurer la transition.
The building was designed pro bono by Shigeru Ban, who is characterised as a "disaster architect"; Ban collaborated with Christchurch architecture firm Warren and Mahoney.[4] In August 2011, it was reported that a new cathedral would open in February 2012, A-frame in style, rising 78 feet (24 m) in height, would incorporate 86 cardboard tubes of 1,100 pounds each atop 20 feet (6.1 m) long ...
Ban designed the Nomadic Museum with engineer Buro Happold, a temporary structure composed of 156 shipping containers (2006) Shigeru Ban (坂 茂, Ban Shigeru, born 5 August 1957) [2] is a Japanese architect, known for his innovative work with paper, particularly recycled cardboard tubes used to quickly and efficiently house disaster victims.
Shigeru Ban Architects has received public recognition due to his transitional cardboard cathedral in earthquake-devastated Christchurch. In the wake of a 6.3 earthquake the gothic revival church was destroyed beyond repair, needing urgent replacement, Ban was commissioned to create a temp construction; he proposed a simple A-frame construction ...
Shigeru Ban nació el 5 de agosto de 1957 en Tokio, Japón. Desde temprana edad, mostró un interés apasionado por la arquitectura y la construcción, lo que lo llevó a estudiar arquitectura en la Escuela de Arquitectura Cooper Union en Nueva York, donde obtuvo su título en 1984.
13 de may. de 2024 · The earthquake caused irreversible damage to a high-profile neo-Gothic Anglican Cathedral in the city. As the city of Christchurch began to recover, a need emerged for a temporary venue for worship and events. Renowned architect and 2014 Pritzker Prize winner Shigeru Ban was approached to lend his expertise. Despite being delayed in Japan due ...
24 de mar. de 2014 · Ban’s ideas and working practices proliferate buildings. The paper cathedral in Christchurch started when he received ‘an email from a priest who had seen the paper church in Kobe’. He accepted for several reasons: the new building could serve secular as well as religious functions and people from Japan were among the victims.
