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Aesthetics, authorship and the public, the three foci of this book, were sites of serious concern and change during the Enlightenment: taste, rather than an acquired ability and a marker of social distinction, became a universal faculty evincing a distinctly human mode of experiencing pleasure.
This essay proposes a new focus for studies in the relationship between aesthetics and morality in the Enlightenment period. Recent research, especially by Paul Guyer, seems to have established that the traditional question of whether a genealogy for autonomous aesthetics can be traced attending to the concept of disinterestedness in the era ...
20 de ago. de 2010 · This entry describes the main tendencies of Enlightenment thought in the following main sections: (1) The True: Science, Epistemology, and Metaphysics in the Enlightenment; (2) The Good: Political Theory, Ethical Theory and Religion in the Enlightenment; (3) The Beautiful: Aesthetics in the Enlightenment.
By engaging with three critical categories—aesthetics, authorship, and the public sphere— The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere.
6 de jul. de 2006 · Although none of these questions was peripheral to 18 th -century British aesthetics, not all were equally central. The question on which the others tended to turn was the question concerning the nature of taste. But this question was not simply how best generally to define taste.
2 de jun. de 2015 · By engaging with three critical categories—aesthetics, authorship, and the public sphere—The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere.
Origins and the Enlightenment : aesthetic epistemology from Descartes to Kant I Catherine Labia. p.cm. Includes bibliographical references (p. ) and index. ISBN o-8o14-4275-3 (cloth : alk. paper) 1. Aesthetics, Modern-18th century. 2. Origin (Philosophy)-History-t8th century. 3· Knowledge, Theory of-History-18th century. 4· Originality
