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  1. 11 de abr. de 2014 · Brandenburg Concerto No. 3 in G major, BWV 1048 Johann Sebastian Bach (1685-1750) 3 violins, 3 violas, 3 cellos, bass, harpsichord. Dedicated to Christian Ludwig, Margrave of Brandenburg-Schwedt, on March 24, 1721.

  2. 24 de mar. de 2024 · But the works’ popular title comes from its association with Christian Ludwig, Margrave of Brandenburg and uncle of Prussia’s Friedrich Wilhelm I, the Soldier King.

  3. Margrave Christian Ludwig of Brandenburg-Schwedt (14 May 1677 – 3 September 1734), a member of the House of Hohenzollern, was a Margrave of Brandenburg-Schwedt and a military officer of the Prussian Army. The margravial title was given to princes of the Prussian Royal House and did not express a territorial status.

  4. 2 de ago. de 2021 · Bach prepared the six concertos during 1720, when he was in Cöthen. The Margrave of Brandenburg, for whom Bach had played while negotiating for a new harpsichord for Cöthen, requested some pieces from Bach. Bach sent him the six scores in 1721, dedicating them to the Margrave, but, as they were specifically written for the instrumental forces ...

  5. 24 de mar. de 2021 · In 1721, Johann Sebastian Bach carefully packaged together six of his finest concertos and sent them to a Christian Ludwig, Margrave of Brandenburg. Bach also included a note, dated to 24 March 1721, in which he, in the most deferential language, asks for work and offers himself in “most humble duty to Your Royal Highness”.

  6. To His Royal Highness Christian Ludwig, Margrave of Brandenburg, etc., etc., etc. Sire: Since I had the happiness of playing at the command of Your Royal Highness a few years ago, and I saw that you took some pleasure in the small talents for music that Heaven has given me, and that, in taking leave of Your Royal Highness, you did me the honor of asking that I send you several of my ...

  7. 10 de may. de 2022 · Christian Ludwig Margrave of Brandenburg by Antoine Pesne around 1710. Aside from speculation about Bach’s meaning in this passage, much has also been made of the impact which Bach’s surroundings at the court in Köthen might have had on the music of the concertos. For instance, Bach’s employer at the time, Prince Leopold, was an amateur ...