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  1. 29 de sept. de 2023 · 5 – El Eclipse (1962) El cierre de la llamada “Trilogía de la incomunicación”. Resulta clave ver como Antonioni posiciona a su musa, Monica Vitti, como un símbolo dentro del resquebrajamiento social y del tabú sobre el deseo, pero siempre manteniendo ese arraigo dentro del sufrimiento de la mirada social, y sobre todo de su propio pasado.

  2. Michelangelo Antonioni. Writer: Blow-Up. Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre.

  3. 31 de mar. de 2024 · Michelangelo Antonioni portrait (cropped).jpg 3,466 × 3,607; 2.01 MB. 1 reference. imported from Wikimedia project. ... Michelangelo Antonioni (Italian) 1 ...

  4. Michelangelo Antonioni (født 29. september 1912 i Ferrara i Italia, død 30. juli 2007 i Roma) var en italiensk modernistisk filmregissør. Hans filmer har inspirert mange nålevende regissører, og han vant Gulløven i 1983 og ble tildelt en æres-Oscar i 1995.

  5. 30 de jul. de 2007 · Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007) was an Italian modernist film director, screenwriter, editor, and short story writer. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative ...

  6. Michelangelo Antonioni. Michelangelo Antonioni ( Ferrara, 29 september 1912 – Rome, 30 juli 2007) was een Italiaanse filmregisseur, schrijver en kunstschilder. Naast Fellini en Luchino Visconti wordt hij doorgaans gezien als een van de groten van de Italiaanse film.

  7. Based on some of the work undertaken in the last four decades, and taking into account Pasolini’s lesson and studies on the circulation of ideas and the paradigms of art, Bourdieu ([1989] 2002), Sapiro (2009), Heinich (2014), Aguilar (2015), and Garramuño (2015), this monograph aims to offer a collection of proposals for theorising, understanding, and naming the presence of literary thought ...