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Northumberlandia. Northumberlandia (the "Lady of the North") is a huge land art sculpture in the shape of a reclining female figure, which was completed in 2012, near Cramlington, Northumberland, northern England. It is in the care of Northumberland Wildlife Trust. [1]
7 de ene. de 2021 · Northumberlandia, the Lady of the North. The country park, woodland trail and landscape sculpture is open from dawn ’til dusk each day. From Monday 1st April the café and toilets are open 7 days a week from 10:00 – 16:00. Hot food stops at 15:00. 20 Oct 2023.
20 de abr. de 2017 · En la antigua ciudad minera de carbón de Cramlington, en Northumberland, noroeste de Inglaterra, se encuentra una gran superficie gigantesca de "land art" en forma de mujer desnuda reclinada llamada 'Northumberlandia'. Tiene más de 30 metros de altura en su punto más alto, la frente, y 400 metros de largo.
What you can see. The centrepiece of this 19-hectare park is ‘The Lady of the North’, a stunning human landform sculpture of a reclining lady. Made of 1.5 million tonnes of rock, clay and soil, she is 100 feet high and a quarter of a mile long.
Made of 1.5 million tonnes of rock, clay and soil, the Lady (as she is known locally) is 100 feet high and a quarter of a mile long. Far from being a rigid manicured art form, Northumberlandia is a living part of the countryside that will mature over time and change with the seasons.
About the lady. Northumberlandia is a unique piece of public art set in a 46 acre community park with free public access and 4 miles of footpaths on and around the landform. The centrepiece of the park is Northumberlandia, a stunning human landform sculpture of a reclining lady. Made of 1.5 million tonnes of rock, clay and soil, she is 100 feet ...
Northumberlandia is a landmark feature designed by world renowned artist Charles Jencks, which celebrates the earth's natural power and the human ability to reshape landscape into a dramatic form. Near the town of Cramlington, 'The Lady of the North' is around 34m high and 400m in length.
