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Philip III: overshadowed by an overly powerful father. As the single surviving son from his father’s four marriages, Philip bore all the hopes of the dynasty. Philip was sickly child and suffered from such severe problems with his digestion that it was feared he would not survive childhood. He resembled his father Philip II physically and in ...
This intriguing book examines the strategies that led King Philip III to extend the laurel branch to his foes. Paul Allen argues that, contrary to widespread belief, the king's gestures of peace were in fact part of a grand strategy to enable Spain to regain military and economic strength while its opponents were falsely lulled away from their military pursuits.
Philip III. Philip III may refer to: Philip III of Macedon (c. 359–317 BC) Philip III of France (1245–1285) Philip III of Navarre (1328–1342) Philip III of Taranto, Prince of Achaea (1364–1373) Philip III, Duke of Burgundy (1419–1467) Philip III, Margrave of Baden-Rodemachern (1567–1620) Philip III of Spain (1578–1621)
Philip III: marriage and offspring. Philip was married to Archduchess Margarete (1584–1611) from the Styrian line of the Habsburgs. Margarete was a daughter of Archduke Charles of Inner Austria and the sister of the future emperor Ferdinand II. Originally her elder sister Katharina Renata had been intended for this marriage, but she had died ...
Philip III, King of Spain (1578-1621) Signed and dated 1605. RCIN 404969. ©. In this portrait of Philip III of Spain (1578–1621), the king's armour creates an impression of both fashionable elegance and martial strength. Grasping his commander's baton and assertively meeting the viewer's gaze, his armoured appearance is a performance of ...
Philip III was born on April 14, 1578, in Madrid, Spain. He was the only surviving son of Philip II and Anna of Austria. As a child, he received a comprehensive education, guided by his tutors who instilled in him a strong sense of religious piety. Philip III was deeply influenced by his father's strong Catholic faith, and he continued this ...
Philip III. 1606. Oil on canvas. Room 055. The king is portrayed in armour, beside a tent; the image is not particularly representative of the sitter, whose tastes tended more towards regal pomp and religious piety. The composition follows earlier traditions, though with certain features characteristic of Pantoja de la Cruz: a rather geometric ...
